Tag: Department for Culture and Media

The press release issued by the Department for Culture, Media and Sport on 5 August 2025.

Prime Minister announces major expansion of youth services and real-world opportunities to re-connect young people with the world around them.

• £88 million investment to support youth clubs and schools to offer more after-school activities, while enabling organisations like the Scouts and Guides to deliver more places in local communities
• Action delivers on Plan for Change and manifesto promise to back young people growing up in a digital-first world, with opportunities to build essential skills for life and work

Young people across the country will benefit from a major new expansion of youth services and activities outside of school, as the government takes action to re-connect young people with their communities.

Far from the default being outdoor activities, young people today are spending more and more of their time detached from the real world, either stuck in their bedrooms or behind a screen, throwing up huge challenges for them and their loved ones to overcome. Today the government takes bold action to give young people a better alternative, so they are supported rather than left behind.

Announcing a new £88 million package of support to transform opportunities for young people across the country, the Prime Minister will make clear that this government is picking this challenge up and seeing it for what it is – a worrying trend – and delivering real-life solutions for the long-term, investing in opportunities for young people.

Applying a grown-up approach to tackling a problem faced by parents and young people up and down the country, this government is investing in children’s futures. From new climbing walls and outdoor adventures to music lessons and volunteering, this package means that youth clubs and schools will now be able to offer more opportunities for young people to get active and connect with others, while building their confidence and broadening their horizons.

For far too long, young people have been locked out of their future, with youth services in England seeing a decade-long decline in investment of over 70%.

This government is turning the page. Backed by nearly £88 million, the package also delivers on the Prime Minister’s promise to support parents and keep children safe – offering more opportunities in structured environments that help encourage young people off the streets.

It builds on wider action through the Plan for Change to back young people’s futures, including by extending voting rights to 16 and 17-year-olds, announcing the £500 million Better Futures Fund for young people’s support services, and launching new guidance to protect young people from online harms.

Prime Minister Keir Starmer said:

Growing up today is hard for young people. As they navigate their way through the online world, too often they find themselves isolated at home and disconnected from their communities.

As a government, we have a duty to act on this worrying trend. Today’s investment is about offering a better alternative: transformative, real-world opportunities that will have an impact in communities across the country, so young people can discover something new, find their spark and develop the confidence and life skills that no algorithm can teach.

Through our Plan for Change, we’re backing parents by not only protecting our young people online, but giving them the support and opportunities they deserve so no child falls through the cracks.

The Building Creative Futures package announced today includes:

• £22.5 million over three years to create a tailored enrichment offer in up to 400 schools. This will give pupils access to extra-curricular activities such as sport, art and music, outdoor activities, debating or volunteering that support wellbeing and essential skills around the school day.
• The launch of the Better Youth Spaces programme, a £30.5 million fund to improve youth club infrastructure in areas with the highest levels of child poverty. This will go towards smaller capital projects such as new gym equipment and climbing walls.
• The rollout of the Local Youth Transformation pilot, an £8 million programme to support local authorities to deliver a high-quality out-of-school offer. It will provide the tools, guidance and funding, to assess, improve, and invest in impactful local youth offers.
• The third phase of the Million Hours Fund, a £19 million joint investment with The National Lottery Community Fund to deliver over a million additional hours of youth work in areas with high rates of anti-social behaviour.
• £7.5 million for the Uniformed Youth Fund, creating thousands of new places in youth organisations like The Scouts, Guides and Volunteer Police Cadets in areas of unmet demand.

Today’s investment is the latest step towards the government’s National Youth Strategy. Due to be published this autumn, the Strategy will be shaped by insights from over 20,000 young people engaged through the ‘Deliver You’ programme and will set out a long-term vision for youth policy across government.

Culture Secretary Lisa Nandy said:

We know that strong local youth services are the bedrock of thriving communities that give our young people safe spaces to learn, grow and reach their potential.

Today’s announcement is just the beginning. As we develop our National Youth Strategy ahead of its launch this autumn, we are already delivering on our Plan for Change by putting young people at the heart of our mission-led government ensuring they have the support and opportunities they deserve so that no one is left behind.

The investment today complements and builds on the work already underway to ensure every pupil has equal access to high quality extracurricular activity as well as PE and sport. This includes a new national network to build strong partnerships between schools, local clubs and National Governing Bodies to identify and break down barriers to sport and dance for children who are less active. New guidance to support schools to offer equal access to high-quality extra-curricular activities will also be published later this year.

Expanding youth provision will also have an impact in tackling child poverty and helping families access great local services. Children affected by poverty can face significant barriers to accessing after school and youth clubs. Today’s announcement will help ensure that every child, no matter who they are, what their circumstances are or where they live, has the opportunity to participate in sports, arts, and other activities.

The press release issued by the Department for Culture, Media and Sport on 24 July 2025.

The Secretary of State has appointed Simon Lewis as the new Chair of UK Anti-Doping (UKAD) for a term of 4 years.

Simon Lewis

Simon has been appointed as Chair of UK Anti-Doping and his term will commence on 4 August 2025.

His background is primarily in the Legal Sector where he has practised as a barrister, in various relevant areas of law, and where he now sits as a fee-paid judge. Simon has served in a number of non-executive board-level roles: within workplace relations (at Acas); professional regulation (at Social Work England and at the Bar Standards Board); healthcare (at a mental health and community NHS trust); higher education (at England’s leading university for improving social mobility); sport governance; and charity. He has also acted in a range of independent regulatory roles across various sectors: within healthcare, sport, and finance/business.

Simon grew up in Wales and then Yorkshire, playing representative sports, before graduating from the University of Cambridge.

On his appointment, Simon Lewis said:

“It is an honour to be appointed as Chair of UKAD. Having worked extensively across regulatory and sporting landscapes, I’m excited to be able to govern and support an organisation so inextricably involved in both.

“I want to ensure UKAD continues to bolster the UK’s strong reputation for clean and healthy sport across the four nations. I’m arriving at an important and busy time, with a host of major sporting events approaching, including the Women’s Rugby World Cup, the Winter Olympics and Paralympics, and the 2026 Commonwealth Games in Glasgow. I look forward to working with the team, engaging with a wide range of stakeholders, and supporting UKAD’s goal to protect clean sport.”

Lisa Nandy, Secretary of State for Culture, Media and Sport said:

“I’m delighted to welcome Simon Lewis as the new Chair of UKAD. Simon has extensive experience in sport and law, which will ensure UKAD continues to deliver with professionalism and integrity.

“Sport is part of our national story and as part of our Plan for Change we want to remove barriers to participation at grassroots and support athletes in elite settings. Upholding the values of clean sport and fair competition are absolutely vital in achieving this and as we welcome Simon, I’d like to thank departing Chair Trevor Pearce for all of his work during his tenure.”

Jane Rumble, Chief Executive of UKAD said:

“We are very pleased to welcome Simon to UKAD. Simon brings his deep and relevant legal and sport governance experience to us at a pivotal time. In addition to a busy sporting calendar of major events UKAD will also soon shape and deliver a new multi-year Strategic Plan. UKAD is also preparing for the launch of the 2027 World Anti-Doping Code.

“On behalf of us all at UKAD we are looking forward to giving Simon a warm welcome as he takes up stewardship of our committed and brilliant team.

“I would also like to thank our outgoing chair Trevor Pearce, who has been with us for nearly nine years, for his excellent stewardship at the helm of our organisation.”

Remuneration and Governance Code

The Chair of UK Anti-Doping is remunerated at a rate of £20,640 per annum. This appointment has been made in accordance with the Cabinet Office’s Governance Code on Public Appointments.

The appointments process is regulated by the Commissioner for Public Appointments. Under the Code, any significant political activity undertaken by an appointee in the last five years must be declared. This is defined as including holding office, public speaking, making a recordable donation, or candidature for election. Simon has not declared any significant political activity.

The press release issued by the Department for Culture, Media and Sport on 22 July 2025.

Major boost for UK music creators as government drives industry to produce new measures to support legacy artists, songwriters and session musicians.

• Changes estimated by labels to deliver tens of millions of pounds in new investment to support musicians by 2030, rewarding artists for their work and driving growth through Plan for Change
• Agreement backed by UK arms of major labels Universal Music Group, Sony Music Entertainment and Warner Music Group

UK music creators are set to benefit from a boost to their earnings thanks to the Government driving forward a new label-led agreement on streaming pay agreed today (Tuesday 22nd July).

The Creator Remuneration Working Group (CRWG), chaired by Creative Industries Minister Sir Chris Bryant, has been meeting regularly since 2024 to explore industry-led action – driving growth in the creative industries as part of the Government’s Plan for Change.

This process has delivered a set of measures designed to boost the earnings of legacy artists, songwriters and session musicians and marks a further step towards ensuring the music streaming market works for everyone, on top of existing industry programmes.

The principles include a new framework for the renegotiation of contracts by artists who signed record deals before streaming became commonplace, in addition to support for the digitisation of their back catalogues so that it can be made available online. This aims to help legacy artists to increase their streaming earnings for their existing body of work.

Support for songwriters and composers includes a commitment to the payment of per diems and expenses for recording sessions, to ensure they are not left out of pocket.

The British Phonographic Industry (BPI) and Musicians’ Union also agreed to an uplift in session musician fees of up to 40% for pop sessions and 15% for classical to ensure they are more fairly paid for their work.

The agreed principles have been adopted by the BPI and Association of Independent Music (AIM) and recommended to their UK members. The UK divisions of Universal Music Group, Sony Music Entertainment and Warner Music Group, the world’s three largest labels, have also committed to delivering them.

Culture Secretary Lisa Nandy said:

Streaming has totally revolutionised how audiences discover and enjoy music, and how artists connect with their fans across the globe.

But we have heard loud and clear from creators that more needs to be done to ensure they are fairly compensated when their work is used on streaming platforms.

That is why I am delighted that the industry has agreed these new measures, which will go a long way to making sure our talented artists and creators are properly rewarded for their hard work, while driving growth through our Plan for Change.

Creative Industries Minister Sir Chris Bryant said:

Everyone loves music and it’s about time we really valued the people who create it. Millions of us use music streaming platforms who provide a fantastic service to their customers, connecting users with a wealth of music from around the world.

But many musicians and songwriters are really struggling and artists simply don’t  think they receive their fair share of the profit generated by their work on these platforms. These new measures, which apply specifically in the UK, are an important step in ensuring creators are fairly paid for their work.

I would like to thank the sector for coming together to drive this positive progress, which will benefit the music industry as a whole.

Roberto Neri, CEO of Ivors Academy, said:

We welcome and wish to thank Minister Bryant for the introduction of per diems for songwriters and his support in securing this agreement. There is no music industry without songwriters and these payments will ensure that songwriters are not out of pocket when turning up to work. We look forward to working together over the next 12 months to assess how this package benefits music makers and ensuring that all creators share in the success of streaming remuneration.

The Government will support industry to deliver these measures in full, in order to improve conditions for UK music makers. The impact of the measures will be monitored and reviewed in a year’s time, working closely with members of the group to understand the extent to which they are improving creator earnings as intended.

The Government will then assess the need for further intervention, to ensure this package delivers on its objective to bring about real change for creators.

Labels estimate these changes will deliver tens of millions of pounds in new investment to support creators by 2030, which will help drive growth in the creative industries as part of the Government’s Plan for Change.

The Government has also committed to continuing to look at the issue of streaming pay for session musicians and has convened a meeting in September with key organisations from the music industry to take this forward.

Further quotes

The Council Of Music Makers said:

We greatly appreciate the efforts of the Government in seeking to improve the streaming economy for music-makers. Minister Chris Bryant has dedicated a great deal of time and resources trying to agree creator-friendly terms with the BPI and major labels, in an attempt to address unfair remuneration. Over the next year, we will work in good faith to support music-makers to test these initiatives and whether they can deliver meaningful change.

We will work closely with the Government during the one year monitoring of these measures. In 2021 Parliament’s Culture, Media & Sport Select Committee raised several fundamental issues regarding the streaming business model, calling for ‘a complete reset’. The Council Of Music Makers remains committed to achieving this objective and reaching a fairer settlement for all music-makers and we will now collectively pursue additional legislative measures to achieve positive change for those that create the work our industry is built on.

Sophie Jones, Chief Strategy Officer at the BPI, said:

After five years of detailed scrutiny and analysis, we are pleased to put in place these creator remuneration principles for UK labels in response to specific concerns identified in the UK’s streaming debate. Many more artists are succeeding in the era of streaming than before – and we are confident that these targeted measures will lead to positive and sustainable outcomes and support for legacy artists, songwriters and session musicians, ensuring that our members’ significant ongoing investment into the development of British talent and the growth of our world leading UK music industry will be to the benefit of all. This has been a collaborative process and we are grateful to our members and fellow trade organisations for their expertise and to Minister Chris Bryant and the DCMS officials for their stewardship of this process.

Baron Brennan of Canton, former member of the DCMS Select Committee which launched the inquiry into the Economics of Music Streaming, said:

Protecting the dignity of British songwriters by putting money in their pockets for writing sessions is a real first, and greater transparency over artist renegotiation is most welcome. I commend Minister Bryant for all his efforts. Further progress is needed on streaming but I’m encouraged by the Minister’s commitment to pursue progress through further talks this autumn on session musician income from streaming.

The press release issued by the Department for Culture, Media and Sport on 21 July 2025.

Historic Football Governance Act receives Royal Assent, establishing new Independent Football Regulator to safeguard the future of the national sport.

• Plan for Change in action, as government delivers on promise made to fans in the manifesto, addressing existential threats to clubs and putting supporters back at the heart of the game
• World-first Regulator will work to stop rogue owners, ensure clubs are financially sustainable, with powers to ensure money flows through the pyramid.

Football fans will now have a greater say in how their beloved clubs are run, as the Football Governance Act has today received Royal Assent and passed into law, in a landmark moment for the game.

As promised in this Government’s manifesto, the Act will create the Independent Football Regulator (IFR), which will mark the biggest reform to football governance in a generation – helping to protect clubs across the country.

The Act follows a long journey to law, which began following the attempted breakaway European Super League, and a series of high-profile cases of clubs facing financial ruin.

Over recent years fans from the likes of Bury, Macclesfield Town, Derby County, Reading and many others have been left to suffer the consequences of reckless mismanagement, excessive risk-taking and financial catastrophe at their club.

The new regime is designed to raise standards across the game, supporting the government’s Plan for Change by ensuring English football can continue to deliver huge economic benefits across the country.

It will improve financial sustainability, introducing a set of rules that improves the resilience across the top five men’s leagues, empowers fans and keeps clubs at the centre of their communities.

Prime Minister Keir Starmer said:

This is a proud and defining moment for English football.

As someone who has loved the game all my life, I know just how deeply it runs through our communities. It’s where memories are made, and generations come together.

Our landmark Football Governance Act delivers on the promise we made to fans. It will protect the clubs they cherish, and the vital role they play in our economy.

Through our Plan for Change, we are ushering in a stronger, fairer future for the game we all love.

Secretary of State for Culture, Media and Sport, Lisa Nandy said:

Football clubs have been built and sustained by fans for generations, but too often they have had nowhere to turn when their clubs have faced crisis. Today that changes as this Act will give hope and assurance to people, with the Regulator working to protect clubs in towns and cities all over the country, where football clubs mean so much, to so many.

From Southend to Blackpool, Portsmouth to Wigan, these reforms have been driven by fans, for fans. I will be forever proud that this Government has delivered on its manifesto pledge to support them by reforming football’s governance, and I pay tribute to all those that have helped us deliver this historic moment for the nation’s game.

The Regulator’s new powers will include:

• Tough new financial regulation to improve resilience across the football pyramid to ensure clubs are sustainable for the long term
• Stronger, statutory Owners’ and Directors’ Tests to make sure club custodians are suitable and aren’t using illicit finances with powers to force rogue owners to sell up
• New standards for fan engagement in club decision-making
• Bars on clubs joining closed-shop competitions and breakaway leagues
• Backstop powers to ensure a fair financial distribution between leagues
• New statutory protections for key club heritage aspects like home shirt colours and club badges and stadium moves

The IFR will be launched later this year and will consult industry on its proposed rules, guidance and approach to licensing clubs before implementing the new regime. A transition team, the Shadow Football Regulator, was established in 2024 to lead this process and is already engaging widely with industry and fan groups. The process of appointing a senior leadership team is ongoing with the announcement of an Interim CEO and Board expected shortly.

Football Supporters’ Association (FSA) chief executive Kevin Miles said:

This is an historic moment for football in this country and we are very proud that the FSA was at the heart of change, helping to bring in laws which can help protect the clubs we love from the worst excesses of owners throughout the professional game.

We look forward to working with the regulator, as well as the FA and leagues it covers, to ensure that the supporter voice continues to be at the forefront of debate as fans are the beating heart of the game. Club owners can no longer mark their own homework.

Sarah Turner, Chair of Supporters Trust at Reading (STAR) said:

As Reading fans, we’ve seen the damage caused by rogue owners and welcome the independent regulator. When football clubs fail due to rogue ownership, it doesn’t just mean a team slides down the table. Jobs are lost, community projects are cut and businesses suffer – be that via unpaid suppliers or under-occupied pubs.

We know that football is a business, but it is a business unlike any other. There are fans, not customers, players are heroes, not assets, and in these fractured times we should be working doubly hard to protect industries that create unity, community and – very occasionally – unparalleled joy.

Kieran Maguire, Associate Professor in Football Finance at University of Liverpool said:

This legislation represents a vital step forward in protecting clubs from exploitation, ensuring they are run more responsibly, and giving supporters a greater voice in how their clubs are managed.

Introducing an independent football regulator is a necessary safeguard to ensure that clubs are not treated solely as assets, but as cultural cornerstones with deep local and national significance.

The press release issued by the Department for Culture, Media and Sport on 19 July 2025.

A successful bid would see the biggest global athletics event return to the Queen Elizabeth Olympic Park.

• Government also supports bid for the 2029 World Para Athletics Championships to be staged in the UK
• Championships would boost economy and strengthen UK standing as world-class sporting hosts

The Government has today confirmed its support for bids to host the 2029 World Athletics Championships and the 2029 World Para Athletics Championships; setting out our ambition to see the sport’s pinnacle events return to the UK for the first time since the summer of 2017.

A bid would aim to boost the UK economy, further strengthen the country’s outstanding reputation for hosting the biggest and best events, and encourage more people to get involved in track and field.

Prime Minister Keir Starmer said:

Bringing the World Athletics Championships to the UK would be moment of great national pride, building on our global reputation for hosting memorable sporting events that showcase the very best talent.

Hosting these championships would not only unlock opportunities for UK athletes but it would inspire the next generation to get involved and pursue their ambitions.

The event would provide a boost for UK businesses and support jobs as well as bring our communities together. I’m delighted to support the bid.

The London Stadium, etched into the public’s memory for hosting the iconic 2012 Olympic and Paralympic Games as well as the hugely successful 2017 World Championships, is the proposed venue for the 2029 World Athletics Championships.

Meanwhile, the Government is committed to taking the World Paras beyond the capital, with a host city to be confirmed in due course.

Subject to funding from partners being confirmed, the Government has agreed to provide significant funding for both bids, reflecting the UK’s ambition to once again bring the world’s greatest athletes to UK shores.

This major commitment comes with London today set to host a sold-out Diamond League event, the world’s biggest one-day athletics meet.

The UK Government will work hand-in-hand with the bidder Athletic Ventures, UK Sport, and host cities – including the Greater London Authority for the World Athletics Championship – to unlock a wide range of social, economic and sporting benefits, from boosting tourism and local economies to fostering healthier, more active communities through elite sport.

Secretary of State for Culture, Media and Sport, Lisa Nandy, said:

Major sporting events deliver unforgettable moments and have the power to bring our country together like little else.

That’s why we’re excited to be backing a bid to bring the World Athletics and World Para Athletics Championships back to the UK in 2029. As part of our Plan for Change, we want to build on our world class reputation as hosts, delivering not just economic benefits for the country but engaging communities, inspiring the next generation and showcasing the best of Britain to the world.

Simon Morton, Director of Events at UK Sport, said:

Live sport matters. It brings people together in ways few other things can, creating happiness, pride and lasting memories. Hosting the 2029 World Athletics Championships and World Para Athletics Championships gives us the chance to once again unite the nation around these genuinely global events.

We welcome the Government’s commitment to extend our pipeline of hosted events, as we move forward with this bold and collaborative bid.

Jack Buckner, CEO of UK Athletics, said:

We’d like to thank the Government for supporting these bids. Staging these events in the UK will not only inspire today’s elite athletes, but those of tomorrow, and will engage millions in our sport.

After superb medal hauls over the last few years on the World, Olympic and Paralympic stage, athletics in the UK is on an upward trajectory, with new partners, record participation and sold-out stadia. This support will drive the sport on to new heights.

Sanjay Bhandari, Chair at Athletic Ventures, said:

We are absolutely delighted that the Government has recognised the enormous value that the World Athletics Championships and World Para Athletics Championships can deliver for Britain — from jobs and investment to inspiring young people to get active.

Central government support is a catalytic first step enabling us to build further dialogue with potential host cities and build compelling bids for both championships. We will seek to create spectacular events that leave a lasting legacy for our communities. We’re excited to work with partners across sport, government and our potential host cities to make that vision a reality.

Josh Kerr, 1500m world champion and double Olympic medallist, said:

London 2017 was my first senior World Championships, and it lit a fire in me. Being part of a home team in that kind of atmosphere was incredible — it made me hungrier than ever to become a world champion and chase Olympic medals.

Having the government support to bid for 2029 and potentially bring that experience back to London would be massive. It would inspire so many young athletes and give the sport the platform it deserves. I’m proud to support the bid and hope we get the chance to show the world what we can do on home soil.

If successful, the Championships would mark another milestone in the UK’s exceptional record of hosting world-class events and its enduring commitment to investing in sport as a force for good.

The pipeline of major events already secured includes this Summer’s Women’s Rugby World Cup in England, the Glasgow Commonwealth Games 2026, the European Athletics Championships 2026, the ICC T20 Cricket women’s and men’s World Cups (in 2026 and 2030 respectively), the Invictus Games 2027 in Birmingham, the Tour de France and Tour de France Femmes Grand Departs 2027, and EURO 2028.

Additional Quotes:

Katarina Johnson Thompson, two-time heptathlon world champion, said:

I’m so pleased to see the Government backing this bid — hosting a home World Championships would be incredible for our sport and for the country.

I still remember the buzz of competing in front of a home crowd in London in 2012 and 2017 — nothing compares to that feeling. It gave me a huge lift, and I’d love the next generation of athletes to experience that same atmosphere on the world stage.

Bringing the Championships back to London would inspire so many people and show what British athletics is all about.

Zak Skinner, two-time European T13 Gold medallist, said:

It’s great that the Government is backing the bid to bring the World Para Athletics Championships back to the UK. Competing at London 2017 was one of the most unforgettable moments of my life. That home crowd, that energy — it was electric, and it showed just how powerful para athletics can be when it’s centre stage.

I’ve grown so much as an athlete since then, but that experience gave me belief and drive at a crucial time. Hosting the World Para Athletics Championships here again would be a huge statement — not just for our athletes, but for the next generation watching in the stands or at home. I’d love to see it come back to the UK.

The press release issued by the Department of Culture, Media and Sport on 16 July 2025.

The Secretary of State has reappointed Aurora Antrim and Jane Hurst as Trustees of The Royal Parks and has extended Bronwyn Hill’s second term as Trustee.

Aurora Antrim

Reappointed for a 4 year term commencing 14 August 2025 to 13 August 2029.

Aurora Antrim is an award-winning arts documentary filmmaker who, as Aurora Gunn, spent many years working on The South Bank Show for ITV and Sky making films on subjects ranging from Shakespeare to Tracey Emin to Herbie Hancock.

Aurora has over 20 years’ experience managing an historic landscape, with a focus on income diversification and sustainability, while overseeing the running of the Glenarm Castle estate in Northern Ireland. Her horticultural experience includes the complete restoration and replanting of an historic walled garden which won, by public vote, the Historic Houses Garden of the Year Award in 2023.

This is Aurora’s second term on the Board of The Royal Parks where she serves on the HR Committee. She also sits on The Regent’s Park Store Yard Programme Board, responsible for the creation of a brand new garden in The Regent’s Park due to open in 2026.

Jane Hurst

Reappointed for a 4 year term commencing 14 August 2025 to 13 August 2029.

Jane is a Chartered Accountant and currently CFO of a health tech business. Prior to this she was a partner in KPMG UK with 20 years’ experience of complex restructuring, performance improvement and turnaround. She has worked in a wide range of businesses- from the very large and global to the very small. She has also supported multiple public sector entities undergoing change.

Jane has been a trustee at the Royal Parks for four years, she chairs the Audit and Risk Committee and is a member of the Investment Committee.

Bronwyn Hill CBE

Second term extended for 9 months from 15 June 2025 to 14 March 2026.

As Permanent Secretary at the Department for Environment, Food and Rural Affairs from 2011 to 2015, Bronwyn led a complex organisation through transformational change and a series of crises, including the 2012-13 flooding. A CBE for transport services was in recognition of her contribution to national transport strategy, major projects and transport in London.

Her interest in the environment and the importance of green spaces for people led to her joining The Royal Parks Board. Bronwyn contributed to its transformation into a successful charity, and on projects like Greenwich Park Revealed which has restored the historic landscape, created a new education space and welcomes more people to events and activities in the park.

Remuneration and Governance Code

Trustees of The Royal Parks are not remunerated. This appointment has been made in accordance with the Cabinet Office’s Governance Code on Public Appointments.

The appointments process is regulated by the Commissioner for Public Appointments. Under the Code, any significant political activity undertaken by an appointee in the last five years must be declared. This is defined as including holding office, public speaking, making a recordable donation, or candidature for election. Aurora Antrim, Bronwyn Hill and Jane Hurst have not declared any significant political activity.

The press release issued by the Department for Culture, Media and Sport on 16 July 2025.

Representatives of both sectors in newly formed expert working groups on AI and copyright.

• Representatives of the creative industries and the AI sector to make up newly formed expert working groups on AI and copyright as part of Plan for Change.
• Groups will play a vital role in helping to drive forward practical, workable solutions.
• Expert groups launch today, as the Technology and Culture Secretaries Chair first round of talks in London.

The Technology and Culture Secretaries kickstart the next phase of work today (Wednesday 16 July) to help deliver a solution which will support AI innovation while ensuring robust protection for our creators and vibrant creative industries as part of the Plan for Change.

A consultation on the UK’s legal framework for copyright which explores how the government can deliver solutions supporting both the creative industries and the AI sector was launched in December last year, attracting 11,500 responses. Close collaboration on the issues raised across the debate has been central to the government’s approach – ensuring both sectors not only have the support they need to drive further growth, but that the British public can share in the successes of 2 sectors which are crucial to the Modern Industrial Strategy.

Representatives of both the AI sector and creative industries have engaged widely with Ministers throughout the consultation process, and the formal launch of new, expert working groups will continue to ensure both sectors play a vital role in supporting the work which will drive forward practical, workable solutions to foster innovation and growth.

Representatives of the creative and AI sectors will now gather in London in the first of a series of regular planned meetings, with the groups made up of key industry figures. They include representatives of:

• News Media Association
• Alliance for IP
• Sony Music Entertainment
• Publishers Association
• The Guardian
• Open AI
• Amazon
• Meta

Today’s discussions mark the first in a series of planned talks, and will initially focus on the impacts, opportunities, and common ground in the AI and copyright debate, with their work then helping to inform next steps following the conclusion of the government’s consultation.

Secretary of State for Science, Innovation, and Technology, Peter Kyle said:

I am determined to harness expert insights from across the debate as we work together to deliver a solution that brings the legal clarity our creative industries and AI sector badly need in the digital age.

Today’s meeting and the formation of these expert working groups will continue to ensure all voices can be heard so we can reset and refocus on how we can deliver precisely that.

The work we’ll be taking forward in the coming months will ensure we can work in partnership to deliver a fresh start for creatives and AI developers alike.

Culture Secretary Lisa Nandy said:

Our world-class creative industries are a key part of our economy which create jobs and drive growth right across the country. These sectors have been recognised as a priority sector by the government and I am fully focused on supporting them to flourish.

We have heard loud and clear the concerns from the creative industries around AI and copyright and these roundtables will give us another chance to consider the best way forward.

We have committed to ensuring a copyright regime that values and protects human creativity, can be trusted and unlocks new opportunities for innovation across the creative sector and wider economy.

Both sectors are a vital part of the government’s modern Industrial Strategy, and the AI and Copyright consultation considered a broad range of issues in the copyright debate, including how right holders can have a better understanding of how AI developers are using their material and how it has been obtained.

The consultation also explored how access to high-quality data can be improved for AI developers – bolstering their ability to innovate and drive the growth which underpins the government’s Plan for Change.

Today’s talks will also contribute to finalising Terms of Reference for the expert working groups moving forward as they feed into wider discussions with both sectors.

The press release issued by the Department for Culture, Media and Sport on 14 July 2025.

National two-minute silence will be held at 12 noon on 15 August 2025 to honour the 80th anniversary of VJ Day.

• Event at National Memorial Arboretum to honour VJ veterans will be broadcast live
• Red Arrows will join historic Spitfire and Hurricane aircraft for flypast over national VJ Day 80 commemorations

Members of the public are encouraged to participate in a national two-minute silence on Friday 15 August to mark the 80th anniversary of the end of the Second World War.

A Service of Remembrance will honour and remember those who fought and died during the Second World War in the Far East at the National Memorial Arboretum in Staffordshire, which will be broadcast live on BBC1 from midday.

It will host a spectacular tribute to veterans involving 400 members of the Armed Forces, the Red Arrows and historic aircraft from The Battle of Britain Memorial Flight.

This follows four days of events in May to commemorate the 80th anniversary of VE Day, which marked the end of the Second World War in Europe.

However, at that time 80 years ago, thousands of British and Commonwealth military personnel continued to fight Japanese forces in Asia and the Pacific for a further three months when Victory over Japan (VJ Day) was declared on 15 August 1945, following Imperial Japan’s surrender to Allied Forces. Alongside British Armed Forces, hundreds of thousands of people served in the Far East from countries including pre-partition India, Australia, New Zealand, Canada, Nepal and from African nations.

The Service of Remembrance will be run in partnership with the Royal British Legion and will be attended by Second World War veterans, VJ association members, senior politicians, and military personnel. It will pay tribute to the British, Commonwealth and Allied veterans who served in the Far East theatres of war, the Pacific and Indian Ocean territories.

The event will include a guard of honour of Royal Navy, British Army and Royal Air Force and music provided by military bands. The Battle of Britain Memorial Flight will lead a breathtaking flypast featuring the historic Dakota, Hurricane and Spitfire aircrafts.

Veterans attending will include Burma Star recipients, British Indian Army veterans and those involved in the Battles of Kohima and Imphal, as well as Prisoners of War held across the region and veterans stationed in the UK or Commonwealth countries, who contributed to the war effort.

The service is a ticketed event, but members of the public visiting the Arboretum on the day are invited to observe the two-minute silence and watch the service on large screens at a nearby public viewing area.

Culture Secretary Lisa Nandy said:

Those who continued to fight bravely in Asia and the Pacific in those last few months of the Second World War must never be forgotten.

It is so important for us as a nation to come together on this important anniversary to remember our VJ Day veterans and hear their stories first-hand so we can ensure that their legacy is passed on to future generations and their sacrifice is never forgotten.

Defence Secretary John Healey said:

VJ Day was the final victory in a war that changed the world, and we honour those who served in the Far East with enduring gratitude.

Just as we proudly marked VE Day, we reflect on the courage, sacrifice and resilience shown by so many to secure peace.

Their legacy must never be forgotten, and it’s our duty to pass their stories on to future generations.

Mark Atkinson, Director General of the Royal British Legion, said:

We encourage everyone across the country to take a moment to reflect during the two-minute silence on VJ Day, to watch the Service of Remembrance live on the BBC or at the Arboretum, and pay tribute to those from Britain and across the Commonwealth who fought in the Far East in the Second World War.

It was so moving to see the nation come together for VE80 and to be putting veterans at the heart of these commemorations – now we have one of our last chances to honour all those VJ Day veterans whose service and sacrifice finally brought an end to the War.

Second World War veteran and RBL ambassador Tom Berry, 101, from Cheshire, who was serving on HMS Tartar in the Pacific when Japan surrendered, said:

For veterans like me and all those who carried on fighting until VJ Day was announced, this will be a very emotional day – a moment in history. I’ll be watching the service at home, and I’d ask the country to do the same – to stop and remember all those who gave so much for our freedoms, and those who never made it back.

The national commemorations will commence with a government reception to celebrate VJ Day with veterans.

Government buildings and High Commissions across the globe will also be lit up on 15 August to commemorate VJ Day.

In addition, Imperial War Museums (IWM) will be screening I Saw The World End, a digital public artwork by celebrated artist and designer Es Devlin, at Piccadilly Circus on Wednesday 6th August to commemorate the dropping of the atomic bombs on Hiroshima and Nagasaki.

IWM will also invite visitors to reflect on the events leading up to the end of the Second World War through paper dove and crane making activities at IWM London and IWM North.

On VJ Day itself, IWM will premiere a new contemporary film exploring the events and significance of VJ Day and the war in Asia and the Pacific. The film, which can be seen at IWM North and outdoor screens in locations across the UK, is produced in partnership with SODA (School of Digital Arts), part of Manchester Metropolitan University. A new augmented reality experience at IWM North will also engage audiences in a deeper exploration of the Second World War in Asia and the Pacific and its significance, bringing to life some of the personal stories, sound and film from IWM’s collection.

Following the success of IWM’s VE Day Letters to Loved Ones initiative, the public are asked to delve into their family history to find letters sent by relatives to loved ones that provide fresh insight and first-hand testimonies of VJ Day and the war in the Far East. Digital copies can be uploaded onto the official VE/VJ80 website.

James Taylor, IWM’s Principal Curator of Public History said:

The story of the Second World does not finish with VE Day on 8 May 1945, with intense fighting in Asia and the Pacific continuing for another three months, and the destruction of the Japanese cities of Hiroshima and Nagasaki. Through this varied programme of activities, we will shine a light on these often-overlooked stories from the final months of the Second World War. Through public film screenings, digital experiences, and artist commissions, IWM will give people the opportunity to delve deeper into the significance of the war in Asia and the Pacific and its lasting global impact.

The Government is working with partners across the UK, including the Devolved Governments of Scotland, Wales and Northern Ireland, to ensure commemorations are inclusive and UK-wide.

The Commonwealth War Graves will continue their Every Story For Evermore campaign through events, new content, and augmented reality tours at international sites. These will include Commonwealth War Graves Cemeteries at Nairobi in Kenya, Sai Wan in Hong Kong, Kranji in Singapore, Kanchanaburi in Thailand, and Yokohama in Japan. This will enable international audiences to learn about the men and women who continued to serve in the Second World War after VE Day.

Director of Education, Engagement and Volunteering at the Commonwealth War Graves Commission, Simon Bendry, said:

As part of the anniversary commemorations marking the end of the Second World War, the Commonwealth War Graves Commission is encouraging people around the world to pause and reflect on the human cost of conflict.

We commemorate more than 580,000 casualties who died during the Second World War, and we invite the public to ensure their stories are never forgotten by exploring and contributing to our online story collection, For Evermore, and by joining commemorative events taking place across the globe. From sites in the UK to Japan, from Kenya to Thailand, Indonesia and Singapore, local communities will have opportunities to honour and remember those who gave their lives and acknowledge the huge sacrifices made in pursuit of peace.

The press release issued by the Department for Culture, Media and Sport on 11 July 2025.

A temporary export bar has been placed on a pocket chronometer present on the second voyage of HMS Beagle, well-known for carrying Charles Darwin.

• The pocket chronometer is valued at £200,000
• The export bar will allow time for a UK gallery or institution to acquire the chronometer for the nation – ensuring it can continue to inspire further research and love of learning for future generations

An export bar has been placed on a pocket chronometer in an effort to protect a key piece of the nation’s history and ensure Charles Darwin’s legacy can continue to inspire for generations to come.

The chronometer is known to have travelled on the second voyage of HMS Beagle, from 1831 to 1836, which is a significant part of our history as the voyage is well known for carrying Charles Darwin. This expedition played a role in the development of Darwin’s evolutionary theory, providing him with observations and collections that led to his groundbreaking ideas on evolution by natural selection.

Chronometers are highly accurate timepieces, designed for marine navigation, that measure time with great precision, especially for determining longitude at sea.

This chronometer played a significant role on HMS Beagle’s important second voyage, as the observation chronometer, helping to map the coast of South America. The success of the voyage strengthened Britain’s leading position in navigation, thanks to the use of chronometres, which – when they returned to Britain five years later – had only lost 33 seconds. The voyage also later helped Greenwich become internationally accepted as the Prime Meridian in the 19th century.

Arts Minister, Sir Chris Bryant said:

Charles Darwin is one of the most well-known figures in our history and has inspired many generations. This chronometer played a part in helping his research on evolution and strengthening Britain’s leading position in navigation.

I hope this chronometer can be saved for the nation so we can continue to learn about the fascinating voyage, the legacy of Darwin and improve our knowledge on the use of chronometers for marine navigation.

Committee Member, Tim Pestell said:

HMS Beagle’s second voyage of 1831-36 is most popularly associated with Charles Darwin’s ground-breaking research on evolution. Less well known is that this scientific mission was used by the Royal Navy to test various scientific instruments then at the cutting edge of technology. The chronometer that is the subject of this export bar is central to this story. Made in 1830, it was used on the Beagle in the key role of observation chronometer, helping map the coast of South America and being taken ashore on the Galapagos Islands. Beagle’s success, and the triumph of its chronometers, was shown when it returned to Britain after five years, losing only 33 seconds in time. Having performed a central role in Beagle’s second expedition, it would be a tragedy for this chronometer, named ‘K’ on board, to be lost to the nation. I hope that the placing of an export bar will allow this wonderful timepiece to be acquired by a museum, where its remarkable story, and its place in us understanding our world, can be told to the public.

The Minister’s decision follows the advice of the Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest (RCEWA).

The Committee made its recommendation on the basis that the chronometer met the first Waverley criterion for its outstanding connection with our history and national life.

The decision on the export licence application for the chronometer will be deferred for a period ending on 10 October 2025 inclusive. At the end of the first deferral period owners will have a consideration period of 15 Business Days to consider any offer(s) to purchase the chronometer at the recommended price of £200,000 (plus VAT of £40,000). The second deferral period will commence following the signing of an Option Agreement and will last for three months.

Notes to editors

1. Organisations or individuals interested in purchasing the panel should contact the RCEWA on 02072680534 or rcewa@artscouncil.org.uk.
2. Details of the item are as follows: pocket chronometer in a silver case made by Parkinson & Frodsham, Change Alley, London, 1830. This partnership was active between 1801-1947. Materials include: silver (case); enamel (dial); brass (movement plate & wheels); steel (various components including arbors & balance spring); gold (hands, gilding); diamond (end-stone) and mahogany (box case). The diameter of the case 55 mm.
3. Provenance: 1831 – 1906 Admiralty, London, in sea service.  1906 Taken in exchange from the Admiralty by E.Dent & Co. 4 Royal Exchange & 61 Strand, London By 2010 Watch trade, London, UK 2011 Private Collection, UK, when re-identified. 2023 Martyn Downer Works of Art Ltd. Cambridge.
4. The Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest is an  independent body, serviced by Arts Council England (ACE), which advises the Secretary of State for Culture, Media and Sport on whether a cultural object, intended for export, is of national importance under specified criteria.

The press release issued by the Department for Culture, Media and Sport on 23 June 2025.

Thousands of creative professionals and businesses across the UK are set to benefit from a new £380 million investment package as part of the Creative Industries Sector Plan.

• £380 million in targeted funding to support innovation, access to finance, R&D, skills and regional growth across the UK as part of Creative Industries Sector Plan
• Sector Plan set to nearly double business investment in creative industries to £31 billion by 2035 with 2,000 new film and TV apprenticeships to be delivered
• Comes as part of Industrial Strategy which sets out government’s ten-year plan to make the UK the best place to do business and unlock growth as part of the Plan for Change
• New Creative Content Exchange will be a marketplace to sell, buy, license and enable permitted access to digitised cultural and creative assets

From grassroots music venues to world-class film studios, thousands of creative professionals and businesses across the UK are set to benefit from a new £380 million investment package.

The investment underpins the Creative Industries Sector Plan, which sets out a clear direction on how the Government aims to build a sector that drives regional growth, is financially resilient and is globally competitive.

Published alongside the Government’s Industrial Strategy today (23 June), the plan outlines a bold vision to nearly double business investment in the sector by 2035 – from £17 billion to £31 billion – cementing the UK’s position as a global creative superpower.

The £380 million package is part of the wider plan to deliver targeted investment to create thousands of new jobs and opportunities in sub-sectors like film and TV, music, performing and visual arts, video games and advertising, while generating economic growth in six regions outside London over the next three years.

The wider plan also includes a significant increase in support available from the British Business Bank (BBB), as part of its £4 billion Industrial Strategy Growth Capital, which will help creative businesses grow and create jobs.

The Sector Plan aims to make the UK the best place globally to invest in creativity and drive innovation and tech adoption by 2035, with targeted support for:

• A £150 million Creative Places Growth Fund for six regions outside London, empowering local Mayors to support creative businesses in their communities with access to finance, mentoring and networking opportunities to help them connect with investors and skills programmes.
• At least £50 million for a new wave of Creative Industries Clusters across the UK to accelerate research and development, doubling investment from UK Research and Innovation (UKRI) in clusters to £100 million. Clusters bring together universities, businesses, local and regional policymakers, and private funders to drive research, innovation and growth in the creative industries.
• £25 million for five new innovative UKRI CoSTAR R&D labs and two showcase spaces, which will develop cutting-edge technologies like those used in Abba Voyage and award-winning theatre productions such as last year’s Olivier Award-winning stage adaptation of The Picture of Dorian Gray.

Building on the Government’s commitment to ensure a robust copyright regime and support UK IP, the plan includes the establishment of a Creative Content Exchange. It will act as a trusted marketplace for selling, buying, licensing and enabling permitted access to digitised cultural and creative assets, opening up new revenue streams for content owners.

The industry plan responds directly to what the sector has said it needs – better access to finance, stronger skills pipelines, and support for innovation – and lays out a roadmap to deliver it.

This includes upskilling the next generation of creative talent through a £10 million investment in the National Film and Television School (NFTS) which will help to train 2,000 new trainees and apprentices over the next decade – backed by industry giants such as the Walt Disney Company, the Dana and Albert R. Broccoli Foundation, and Sky.

The investment will also go towards a new £9 million creative careers service, which will help raise awareness of opportunities and provide pathways into the sector for young people.

The UK’s leading creative industries, recognised across the world, are a major driver of economic growth as part of the Plan for Change – driving in £124 billion a year to our economy and employing 2.4 million people across the UK. Over the last decade the sector has increased its output more than one and a half times faster than the rest of the economy.

Culture Secretary Lisa Nandy said:

Our creative industries are powerful economic drivers in this country. By placing them at the heart of our Industrial Strategy this Sector Plan, backed by £380 million of investment, will boost regional growth, stimulate private investment, and create thousands more high-quality jobs.

This Sector Plan will help nearly double business investment to £31 billion by 2035, supporting our mission to raise living standards everywhere as part of our Plan for Change, ensuring the UK remains the world’s creative powerhouse.

 Business and Trade Secretary Jonathan Reynolds said:

The UK’s creative industries are world-leading and have a huge cultural impact globally, which is why we’re championing them at home and abroad as a key growth sector in our Modern Industrial Strategy.

We’ve seen the power of investment, with this Government welcoming around £100 billion into the UK since taking office, and our Strategy will not only ensure that the UK is the best country to invest and do business in, but deliver economic growth that puts more money in people’s pockets.

Sir Peter Bazalgette, Co-Chair, Creative Industries Council, said:

This ambitious plan for growth represents a coming of age for the creative sector. Crucially the plans for R&D funding and Access to Finance for SMEs are exciting step changes.

Baroness Shriti Vadera, co-chair of the Creative Industries Council, said:

This strategy recognises that the UK Creative Industries are one of the most innovative sectors in the UK economy and have a strong comparative advantage internationally. The work now begins to cement their role as a driver of growth and a global creative super power.

The investment also includes tailored packages for high-growth sub-sectors through:

• A £75 million Screen Growth Package supporting UK content development and international investment, and showcasing the best of UK and international film. This includes an enlarged UK Global Screen Fund and scaled-up BFI Film Academy to support 16–25 year olds from underrepresented backgrounds to enter the film industry.
• A Music Growth Package worth up to £30 million, helping emerging artists break through at home and abroad. Measures will create new touring, performance, mentoring and export opportunities for emerging talent, while also delivering a significant uplift in funding for the grassroots sector to support small venues and help them to platform more high-potential artists.
• A £30 million Video Games Growth Package, backing the next generation of start-up games studios and developers. This will drive inward investment in the sector through expansion of the UK Games Fund (UKGF) as well as new support for the London Games Festival.

The Sector Plan also includes support for emerging fashion designers through the British Fashion Council’s NEWGEN programme, to help them showcase their work at London Fashion Week and secure business mentoring.

The Creative Industries Sector Plan maps out in detail how the Government will support the sector to grow even further over the next decade through a focus on boosting regional growth, innovation, access to finance, skills and exports.

It will also see the Department for Business and Trade ramp up the number of creative trade missions and markets it targets, such as in the Asia-Pacific. Funding will be increased for major creative trade shows such as SXSW and Cannes Lions.

The Sector Plan was developed in partnership with the Creative Industries Taskforce, Creative Industries Council, businesses, devolved governments, and regional stakeholders. It builds on the recent £270 million Arts Everywhere Fund supporting cultural venues across the nation.

ENDS

Notes to editors:

• The full Creative Industries Sector Plan can be found here.
• The British Business Bank (BBB) is a state-owned economic development bank established by the UK Government. Its aim is to increase the supply of credit to small and medium-sized businesses and provide business advice services.
• The BBB has significantly increased its support for the creative industries as part of its £4 billion Industrial Strategy Growth Capital, including through support with debt and equity finance.
• The new £150 million Creative Places Growth Fund will be devolved to six Mayoral Strategic Authorities: West Midlands, West of England, West Yorkshire, the North East, Liverpool City Region and Greater Manchester.
• CoSTAR labs and the Creative Industries Clusters are delivered by the UKRI Arts and Humanities Research Council.
• The new Music Growth Package worth up to £30 million follows the Government advocating for an industry-led levy on stadium and arena tickets to support grassroots music.
• The establishment of a Creative Content Exchange will act as a trusted marketplace for selling, buying, licensing and enabling permitted access to digitised cultural and creative assets. This new marketplace will open up new revenue streams and allow content owners to commercialise and financialise their assets while providing data users with ease of access.
• The Sector Plan follows the Government’s recent announcement of more than £270 million that will be invested in arts venues, museums, libraries and heritage buildings as part of the Arts Everywhere Fund, to help organisations in need of support to stay up and running, carry out vital infrastructure work and improve their financial resilience.

Further quotes

Caroline Norbury, Chief Executive, Creative UK, said:

The Sector Plan signals that the creative industries are central to the UK’s growth story. From freelancers to scale-ups, this is a step towards the joined-up support our sector needs – and Creative UK stands ready to work with government and industry partners to turn ambition into action.

As we move into delivery mode, it’s essential that all parts of the sector – from cultural organisations to creative tech firms – are empowered to grow, invest and contribute fully to the UK’s economic future.

Ben Roberts, Chief Executive, BFI, said:

We welcome the Government’s decision to put the creative industries at the centre of its growth strategy. The UK’s screen sector is already a global leader, generating billions for the economy and pioneering new ideas.

With a firm focus on developing the sector across the UK, this investment can unlock fresh opportunities – from growing the sector’s talent pool and strengthening creative clusters nationwide, to opening new international markets for UK screen businesses and advancing creative technology innovation, including the CoSTAR work which the BFI is proud to be a partner on.

UK Music Chief Executive Tom Kiehl said:

UK Music welcomes the Government’s creative industries sector plan and the important status that it gives to music. The plan rightly recognises our world-beating £7.6 billion music sector as an essential high growth driving part of the creative industries.

It is hugely welcome that funding packages and programmes are being made available to turbocharge the music industry and we are incredibly excited at the opportunity to be working with the Government to deliver on this.

Barbara Broccoli, EON Productions, said:

I’m thrilled the Government is joining forces with the National Film and Television School as part of its Industrial Strategy. The NFTS is a world-class institution that has trained some of the most talented members of our industry and I’m especially pleased this investment will focus on much needed support for persons with disabilities.

Cecile Frot-Coutaz, CEO, Sky Studios and Chief Content Officer, Sky, said:

Sky is proud to support the National Film and Television School’s expansion plans and growth ambitions, as part of the Government’s Industrial Strategy. As one of the world’s leading institutions for film, television and games, the NFTS plays a vital role in developing the UK’s creative talent. Our investment underscores our commitment to skills development and sector growth, and we’re excited to see future generations benefit from the school’s outstanding work.

Jon Wardle, Director, National Film and Television School, said:

The real world impact of the Sector Plan in action will be felt through the NFTS’s expanded ability to train world-class, diverse talent and fuel growth in a sector where the UK is a global leader. In a challenging climate for the creative industries, the support from the government isn’t just welcome, it’s strategic.  This investment in the NFTS reinforces a commitment to skills, innovation, and the long-term future of the creative economy.

Wayne Garvie, President International Production, Sony Pictures Television, said:

The NFTS is an unparalleled training ground for British creativity and it’s wonderful that the Government both recognises the importance of the film and television sector in its Industrial Strategy and the role the NFTS plays in developing the next generation of great British creative talent.

Darren Henley, Chief Executive, Arts Council England, said:

Ambition, excellence and innovation are the golden threads that run through the work of our artists, musicians, dancers, actors, writers, directors and producers. It’s what we’re famous for here at home and on the international stage. This new plan highlights the breadth and brilliance of our nation’s creative professionals and cultural organisations. It provides a roadmap for supercharging the growth of our sector and for nurturing the next generation of British talent, creating jobs across the country and delighting audiences here and around the globe.

Andrew Georgiou, President & Managing Director for Warner Bros. Discovery UK & Ireland and Warner Bros. Discovery Sports Europe, said:

We welcome this announcement confirming the government’s commitment to invest £380 million to turbocharge the UK’s creative industries. Their mission to drive growth across the country, unlocking new jobs and enabling talent to thrive in every nation and region, strongly resonates with Warner Bros. Discovery.

We have a proud UK heritage – present for over 90 years, with a significant employee base which extends North to South across 5 cities. The UK is our biggest base outside of the US and, in our view, one of the best places in the world to do business. We remain committed to the UK and our ambition to grow and strengthen our sector and welcome the government’s announcement to do this. We look forward to a continued and productive relationship between Government and the industry.”

Alison Lomax, Managing Director for YouTube UK & Ireland, said:

We welcome the Creative Industries Sector Plan’s commitment to a robust framework for creatives across the UK. It’s particularly encouraging to see the government acknowledge the digital creator economy’s vital role in driving growth for our creative industries. By embracing new distribution models that boost our cultural exports, this vision will solidify the UK’s position as a global cultural superpower.

Nick Poole OBE, Chief Executive, Ukie, said:

On behalf of the UK’s world-leading video game and interactive entertainment sector, we welcome the measures set out today by the Government to supercharge our Creative Industries as part of the Industrial Strategy. Today’s announcement is both a validation of the huge cultural and economic impact of video games and an opportunity to show the world we are open for business.”

Stephen Woodford, CEO, Advertising Association, said:

Our industry welcomes the recognition of advertising as a priority sector for growth in the Creative Industries Sector Plan – we are a world leader in creativity as proven by our successful performance once again at Cannes Lions this year.

This strategy is a platform for growth for the next decade across our regions and nations. We welcome the incentives to attract new talent to join our industry, and we commit to working together to strengthen work that helps businesses innovate, compete in the UK and internationally, and create jobs.

Professor Christopher Smith, UKRI Creative Industries Champion, and Executive Chair of the UKRI Arts and Humanities Research Council, said:

The creative industries are a powerful engine for growth in the UK economy but they are also vital for scientific advance. This Spending Review commits UKRI to a coherent and concerted strategic investment, from the UK’s national capability for the creative industries, CoSTAR, to the Creative Industries Clusters Programme and beyond.

The deep synergies between creative content and the most cutting-edge science in universities and R&D intensive businesses across the UK place creative industries at the heart of UKRI’s commitment to excellent science for a growing economy.

Professor Hasan Bakhshi MBE, Director of the Creative Industries Policy and Evidence Centre and Professor of Economics of the Creative Industries at Newcastle University, said:

Today’s new Sector Plan for the creative industries sets out the Government’s priorities for the next 10 years, and the Creative PEC – thanks to our funder, the AHRC – stands ready to provide policymakers and industry with the data and evidence they need to enact it.

The commitment to increase public investment in creative industries R&D is especially important, alongside the prioritisation of the sector by the British Business Bank. Also welcome is HMRC’s clarification that arts activities that directly contribute to scientific advance by resolving scientific or technological uncertainties fall within the definition of R&D for R&D tax reliefs. Together these measures should have a catalytic effect in driving more private finance into the sector.

Mel Sullivan, Chief Executive, Framestore, said:

The UK is home to highly skilled and exceptionally creative artists, technologists, and thinkers who push the boundaries of what’s possible. The Creative Industries Sector Plan is a powerful show of support to those working in visual effects, film, TV, advertising, and immersive experiences. It will release unlocked potential and open doors to a new wave of talent across the country, giving them the confidence to build their skills, ideas, and innovations here, cementing the UK’s position as a global leader for years to come.