Tag: Department for Culture and Media

The press release issued by the Department for Culture, Media and Sport on 27 November 2024.

A new ambition for the United Kingdom to welcome 50 million international visitors per year by 2030 has been announced by the government, as part of its plans for the country to remain one of the most visited worldwide, driving economic growth.

• In a major speech, the Tourism Minister, Sir Chris Bryant, commits to increasing visitor numbers and improving overall visitor experience
• A new Visitor Economy Advisory Council to boost collaboration between government and industry
• Tourism industry worth £74 billion to the economy and 4% of GVA with a huge potential for further growth to support government’s central mission

A new ambition for the United Kingdom to welcome 50 million international visitors per year by 2030 has been announced by the government, as part of its plans for the country to remain one of the most visited worldwide, driving economic growth.

In a keynote speech at the Tourism Alliance conference in London today (26 November), Tourism Minister Sir Chris Bryant set out the government’s plans for the tourism sector to be an integral part of its growth mission.

A new Visitor Economy Advisory Council, co-chaired by the Minister, will be established that will see industry and government work together to kickstart this next stage of growth for the sector. The council will work towards the creation of a National Visitor Economy Strategy, which will be launched next autumn and map out plans to support the growth of the tourism industry.

Growth in the tourism industry beyond London will be at the heart of this strategy. While the capital is a huge draw that brings in tens of millions of visitors each year, there is vast potential for increasing visits to other cities and regions, which can be achieved through improved marketing, reforming tourist boards, filling skills gaps in the visitor economy and better celebrating our culture.

The UK attracted 38 million visitors last year. Before the pandemic in 2019 that figure was 41 million.

Speaking at the Tourism Alliance Conference, Tourism Minister Sir Chris Bryant said:

I am passionate about making the UK a top visitor destination that truly rivals our European counterparts.

But we can only do that if we work together. We need a true partnership between the government and the sector to deliver such growth.

We all know that London is great – one of the best cities in the world. But too many visitors only go to London – in fact when asked by VisitBritain, 57 per cent of visitors could not imagine what there was in the UK outside of London.

We need to complement London and Edinburgh with stronger regional destinations – where people visit in their own right and stay and spend money because they know about the full range of attractions at those destinations – the heritage, the arts, the music, the pubs and restaurants.

Too many of my predecessors have seen tourism as a nice thing to have and not a priority. I don’t. I see it as an essential part of our economy, worth £74 billion and 4 per cent of GVA with a huge potential for growth.

We are good at this and can be even better if we work together. I want us to have a ‘holistic’ approach to tourism where we will be looking at every element from a visitor’s arrival at the airport to buying a ticket for a music gig or finding a restaurant or catching a train.

In addition to focusing on inbound and domestic tourism, the Visitor Economy Advisory Council will also look at outbound travel, including the rollout of the EU Entry Exit scheme and eGate access for Brits at European airports, to ensure all visitors have the best possible experience when travelling.

Improving the overall visitor experience will be central to the government’s plans for the tourism industry. Every element of someone’s visit – from their arrival at the airport, to buying a ticket for a gig and booking a hotel – will be considered. Making each individual element of the visitor experience as accessible and enjoyable as possible will encourage more tourists to visit the UK, foster national pride and provide long-term economic benefits for communities across the whole country.

Minister Bryant also updated on ongoing tourism programmes, including the Local Visitor Economy Partnership (LVEP) programme, which is transforming tourist boards across the country so they can work better together to market their areas to tourists, and attract more investment and major events to the UK. Thirty five LVEPs have been accredited so far.

The Minister also confirmed that the government will introduce a short-term lets registration scheme as soon as possible, to help provide the best tourist accommodation possible while protecting people’s right to affordable housing, with initial phases of testing already underway.

This follows the government securing a permanent business rates relief at 40% for many companies in the tourism sector.

The press release issued by the Department for Culture, Media and Sport on 27 November 2024.

A temporary export bar has been placed on Dame Barbara Hepworth’s Sculpture with Colour (Oval Form) Pale Blue and Red.

• The sculpture has been valued at almost £3.7 million
• Export bar is to allow time for a UK gallery or institution to acquire the sculpture

An export bar has been placed on celebrated British artist Dame Barbara Hepworth’s Sculpture with Colour (Oval Form) Pale Blue and Red.

Born in 1903 in Wakefield, West Yorkshire, Hepworth became one of the leading British artists of the 20th century, creating prominent sculptures for the 1951 Festival of Britain entitled ‘Contrapuntal Forms’, which are still on display in Harlow, Essex and her prestigious work ‘Single Form’, which stands in the plaza of the United Nations building in New York City.

Sculpture with Colour (Oval Form) Pale Blue and Red is a painted wood sculpture created in 1943. It is part of a larger series in Hepworth’s oeuvre, which she developed throughout the Second World War after she settled with her family in St. Ives, Cornwall.

The piece is a notable example of this series, which pioneered her stringed and coloured sculptures for the first time. Although this concept of colour and strings is understood to have been first conceived in London, Hepworth consistently associated these elements with the organic elements she observed in her rural surroundings in West Penrith.

This work also marks a pivotal moment in the artist’s development as a leading pioneer of the direct carving method and it is the only surviving oval carving after the first prototype of the series was broken when Hepworth cast it in bronze in 1961.

Arts Minister Sir Chris Bryant said:

Dame Barbara Hepworth was a phenomenal artistic genius, who will continue to inspire future generations with her unique genre defining sculptures, which remain as powerful and engaging now as during her lifetime.

Hepworth was influenced by her surroundings and this sculpture is a beautiful insight into her new life in St.Ives after the outbreak of the Second World War.

I hope a UK buyer can be found for this sculpture so the British public can continue to learn and engage with one our most important artists for generations to come.

Stuart Lochhead, RCEWA Committee Member said:

Having moved to Cornwall at the outbreak of the Second World War, Barbara Hepworth found herself in a profoundly different environment where, even with limited resources, she produced ground breaking sculpture.

Sculpture with Colour (Oval Form) Pale Blue and Red embodies the Cornish sky, sea and rugged coastline, in which she lived and which influenced her so deeply. One of only a handful of stringed and coloured sculptures she produced during this period, it marks a significant evolution in her practice, bridging her pre-and post-war artistic developments. As such, this beautiful and immensely informative work by one of Britain’s greatest artists must be saved for the nation.

The Committee made its recommendation on the basis that the sculpture met the first, second and third Waverley criteria for its outstanding connection with our history and national life, its outstanding aesthetic importance and its outstanding significance to the study of Dame Barbara Hepworth’s working practice and the evolution of her work.

The decision on the export licence application for the sculpture will be deferred for a period ending on 26 February 2025 inclusive. At the end of the first deferral period owners will have a consideration period of 15 Business Days to consider any offer(s) to purchase the sculpture at the recommended price of £3,652,180.63 (plus VAT of £129,800). The second deferral period will commence following the signing of an Option Agreement and will last for five months.

Notes to editors

1. Organisations or individuals interested in purchasing the sculpture should contact the RCEWA on 02072680534 or rcewa@artscouncil.org.uk.
2. Details of the sculpture are as follows: Sculpture with Colour (Oval Form) Pale Blue and Red, 1943. Painted wood and string, 50.2 cm. Signed, inscribed and dated ‘Barbara Hepworth/”Sculpture with colour/pale blue & red”/1943’ (on the underside of the base), painted wood and string, unique. This work is recorded as BH 119.
3. Provenance: Acquired directly from the artist by Helen Sutherland in March 1944. Acquired from the above by Nicolete Gray, London, in 1966, and by descent. Anonymous sale; Christie’s, London, 1 July 1998, lot 20, Anonymous sale; Christie’s, London, 6 June 2008, lot 164, where purchased by the previous owner. Anonymous sale; Christie’s, London, 20 March 2024, lot 12, where purchased by the present owner.
4. The Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest is an  independent body, serviced by Arts Council England (ACE), which advises the Secretary of State for Culture, Media and Sport on whether a cultural object, intended for export, is of national importance under specified criteria.

The press release issued by the Department for Culture, Media and Sport on 27 November 2024.

Creative technology firms and artists in Merseyside and the West Midlands are in line for a major financial boost, as a £13.5 million investment in training, research and development funding is announced by the Culture Secretary to boost economic growth and job opportunities.

• £13.5 million awarded to boost Merseyside’s thriving live music sector and help creative firms in the West Midlands revolutionise live performance with VR and immersive technology
• Clusters funding builds on UK’s regional strengths as part of government’s growth-driving mission for the creative industries
• Next phase of advanced ‘movie magic’ research labs launched, with £6.6 million of funding available for SMEs

Liverpool City Region’s MusicFutures cluster will benefit from £6.75 million to bring together partners including the city’s two universities, the Royal Liverpool Philharmonic and the Liverpool M&S Bank Arena. The cluster will provide funding and training for musicians, educators and small businesses to harness new technologies such as AI and Extended Reality (XR) and explore making the live music sector more environmentally sustainable.

CreaTech Frontiers in the West Midlands will also benefit from £6.75 million, with the investment focusing on developing small, micro- and medium-sized businesses specialising in creative tech like video games and immersive reality. Several regional universities alongside the Royal Shakespeare Company (RSC) will work with industry to boost skills and develop new products, technology and multi-platform content. This will include using VR, 3D-modelling and animation techniques in live events, and adapting video game engines for use in music, theatre and film.

Experimental performance projects curated by the RSC will be showcased at South by Southwest (SXSW) festival in Texas in 2026, while the Birmingham Opera Group and The Rep theatre will stage new works, including co-creations with young people in deprived areas of the West Midlands.

It comes as the CoSTAR network of R&D labs being built across the UK to drive the next generation of ‘movie magic’ visual effects tech in film, TV and performing arts enters its next phase, with £6.6 million now available to help innovating firms build prototypes and take their products to market.

Merseyside and the West Midlands have been selected in the government’s Creative Industries Clusters, delivered by the Arts and Humanities Research Council on behalf of UK Research and Innovation, which aims to grow specialist creative subsectors across the UK. The UK’s world-class creative industries have been named as one of the government’s eight growth-driving sectors in its forthcoming Industrial Strategy.

Culture Secretary Lisa Nandy said:

Talent is everywhere but opportunity is not. That’s why we are supporting firms, artists and freelancers that are innovating, using new technology and driving growth in creative clusters across the country.

Liverpool and Merseyside hold a special place in our nation’s music landscape, and this funding will support imagination and experimentation across the city and region, as creators explore how we can make gigs more environmentally friendly.

Birmingham and the West Midlands have a rich industrial history, and we are putting them at the forefront of a potential new industry developing the amazing technology that will revolutionise visual effects in film, theatre and gaming.”

AHRC Executive Chair Professor Christopher Smith said:

AHRC is delighted to announce the launch of a new wave of Creative Industries Clusters.

The two new clusters announced today, MusicFutures and CreaTech Frontiers, will create vital support for technology and innovation in the UK’s world-leading creative industries and expand our regional investment.

These clusters will support artists and creators so they can benefit from new technologies across a wide range of platforms, and develop their innovation and business skills.

The remarkable projects made possible through our Creative Industries Clusters span sustainable fashion, game design and extended reality, and have attracted major co-investment. They have helped solve real-world problems and they deliver commercial benefits to the UK economy in line with the Government’s Industrial Strategy.

The press release issued by the Department for Culture, Media and Sport on 27 November 2024.

• Government to bring forward statutory levy as first step to strengthening harmful gambling protections
• Mandated levy to generate £100 million for the research, prevention and treatment of gambling harms, with half of funding to directly benefit NHS-led gambling treatment system
• Government also confirms online slot stake limits of £5 for over 25s and £2 for young adults aged 18 to 24

The government has taken its first steps towards strengthening gambling harm legislation today, confirming plans to implement a statutory levy on gambling profits and online slot stake limits to help tackle the issue of gambling addiction.

Gambling Minister Baroness Twycross has outlined how a levy on gambling operators will be designed and implemented as the government moves forward on its manifesto commitment to reduce gambling harm.

The landmark levy will be charged to all licensed operators and will guarantee increased, ringfenced and consistent funding to prevent and tackle gambling harm.

Under the current voluntary system not all gambling companies contribute equally, with some operators paying as little as £1 a year towards research, prevention and treatment. The new mandatory levy will ensure all operators contribute a fair share.

The Gambling Minister has also confirmed that the government will introduce stake limits for online slots, a higher-risk gambling product associated with large losses, long sessions, and binge play.

Stake limits will be set at £5 per spin for adults aged 25 and over and £2 per spin for 18-24 year olds. Evidence from the Office for Health Improvement and Disparities and the Gambling Survey for Great Britain shows young adults can be particularly vulnerable to gambling related harm with under 25s having one of the highest proportion of respondents scoring 8 or more on the Problem Gambling Severity Index (PGSI) of any age group.

Minister for Gambling, Baroness Twycross said:

Gambling harm can ruin people’s finances, relationships, and ultimately lives. We are absolutely committed to implementing strengthened measures for those at risk, as well as providing effective support for those affected.

The introduction of the first legally mandated levy will be instrumental in supporting research, raising awareness and reducing the stigma around gambling-related harm.

We are also helping to protect those at risk, with a particular focus on young adults, by introducing stake limits for online slots.

These measures will help build an NHS fit for our future and strengthen protections whilst also allowing people to continue to gamble safely.

From October 2023 to January 2024, the government sought views from clinicians, academics, the industry and the wider public on how the levy should be designed and implemented.

In its response to this consultation, the government has confirmed 50% of all funding generated will be directed to NHS England and appropriate bodies in Scotland and Wales to develop a comprehensive support and treatment system. This will include referrals and triage, through to recovery and aftercare.

Prevention is a crucial part of the government’s efforts to tackle gambling harm. 30% of levy funding will go towards investment in this area, which could include measures such as national public health campaigns and training for frontline staff. The government is taking the time to get the important decision on the future of prevention right and will publish next steps in the coming months.

The remaining 20% of funding will be directed to UK Research and Innovation (UKRI) and the Gambling Commission to develop bespoke Research Programmes on Gambling, undertaking vital research to inform future policy and regulation.

Claire Murdoch, NHS national director for mental health, said:

Problem gambling can completely ruin lives and the issue has skyrocketed, with NHS services treating record numbers and our latest data showing a staggering 129% increase in service referrals compared with the same period last year.

I am delighted to welcome this commitment to a mandatory gambling levy which the NHS, bereaved families and the voluntary sector have been calling for so we can treat this growing problem – and we will continue to work with government to do all we can to protect problem gamblers from this billion-pound industry.

Professor Henrietta Bowden-Jones, National Clinical Advisor on Gambling Harms at NHS England, said:

Gambling harms have a devastating effect on people’s lives. We know that 2.5% of the population are gambling in a severe and harmful way but many more are affected, whether family members or gamblers already experiencing negative consequences but below the clinical threshold.

We recognise the need for more action, which is why I am thrilled to support the Government’s new levy, which will help us address the negative impact of gambling harms on communities using treatment, prevention and research through an independent evidence-based strategy at last.

Funding from the levy will be distributed to the NHS and UKRI, the umbrella body for research councils, by the Gambling Commission under the strategic direction of the government. The gambling industry will have no say over how money for research, prevention and treatment is spent.

The levy will be charged to all licensed gambling activity at varying levels depending on the sector and nature of the gambling activity to ensure impacts are proportionate. Rates take into account the difference in operating costs and the levels of harmful gambling associated with different gambling activities.

Minister for Health Andrew Gwynne said:

Tackling gambling harm is a crucial part of our commitment to support people to live longer, healthier lives.

This levy will provide an important funding boost for the NHS, whilst also enabling independent research and more effective prevention initiatives.

By making NHS England responsible for all treatment and support services for those experiencing gambling-related harms in England, we will ensure people are getting the most effective care possible.

Technological developments in recent years have paved the way for a dramatic shift in the ways people gamble. Gambling has moved away from betting shops and casinos to people being able to play anywhere, anytime, on their phones, leading to a significant increase in online gambling behaviour.

The levy and online slot stake limits announced today complements a raft of major changes the government and the Gambling Commission is delivering to make gambling safer in an age of technological advances. This includes including financial risk checks to better alert operators to risky behaviours and tighter controls on marketing.

The press release issued by the Department for Culture, Media and Sport on 14 November 2024.

Creative Industries Minister calls on live music industry to introduce voluntary ticket levy on stadiums and arenas to protect grassroots music sector, including venues, festivals, artists and promoters.

• Creative Industries Minister calls on industry to introduce levy on stadium and arena tickets
• Levy would help ensure sustainability and future success of grassroots music sector, including venues, festivals, artists and promoters

The UK’s live music industry has today been urged by the government to join forces to help safeguard the future of the grassroots music sector.

In the government’s response to the Culture, Media and Sport Select Committee’s report on grassroots music venues, Creative Industries Minister Sir Chris Bryant has called on the live music industry to work together to introduce a voluntary levy on all stadium and arena tickets to help support grassroots venues, festivals, artists and promoters – in agreement with the Committee’s recommendation.

Ministers now expect the sector to take forward proposals for a voluntary levy.

The grassroots music sector is the backbone of the UK’s £6.7 billion music industry, with many of Britain’s best-selling artists, including Ed Sheeran, Adele, Coldplay and Stormzy, starting their careers in grassroots venues. The sector offers emerging artists opportunities to hone their craft, employs more than 28,000 people including stage managers, security and sound and lighting engineers, and supports local economies across the country.

However, in recent years grassroots venues have faced considerable challenges such as the pandemic and inflation, leading to a high number of closures and job losses.

Creative Industries Minister Sir Chris Bryant said:

Grassroots music venues are one of the UK’s most valuable and yet undervalued cultural assets. They are where bands try out new material, where whole new genres are born, where musicians experiment and where audiences get to experience the raw power of live music.

These venues support thousands of jobs and are a vital part of our local communities. Without a flourishing grassroots music industry the rest of our music industry will wither.

It is crucial that we work together to support the grassroots including venues, festivals, artists and promoters. That is why I am urging the industry voluntarily to introduce a ticket levy on the biggest commercial players, to help ensure the health and future success of our entire live music industry for decades to come.

While valuable steps have already been taken by artists such as Coldplay and Sam Fender, who are donating a portion of their upcoming tour revenues to support the grassroots sector, and by industry body LIVE which is establishing a charitable trust to distribute proceeds of a voluntary levy, there is still more to do.

It is the government’s view that an industry-led levy within the price of a ticket would be the quickest and most effective way for a small portion of revenues from the biggest shows to be invested in a sustainable grassroots sector. This would help fans to access local music venues, provide even more performance opportunities for emerging talent and benefit the live music industry as a whole.

Ministers have made clear that they want to see a voluntary levy come into effect as soon as possible for concerts in 2025, with clear communication to fans on the purpose of the levy and the benefits it will bring to the grassroots sector.

The government will consider the implementation and effectiveness of a voluntary levy before determining whether further action is needed.

Mark Davyd, CEO and founder, Music Venue Trust, said:

Music Venue Trust warmly welcomes this positive response from the government. We strongly support their stance on the necessity and desirability of a grassroots contribution and believe this response sets out a clear and achievable path for the live music industry to swiftly adopt such a contribution.

We look forward to working with both industry and government to make this financial contribution a reality as soon as possible. Industry-led investment will enable fans across the country to keep accessing the live music that they love whilst also ensuring the talent pipeline to the arena and stadium level is secure and growing. It is the perfect example of a win-win solution for all parties.

The CMS Select Committee report identified significant additional opportunities to return our grassroots live music sector to growth, create jobs, spread opportunity, and deliver thousands of additional events that bind our communities together. We will continue to work with the government to comprehensively address all the report’s recommendations and deliver a sustainable and bright future for the UK’s grassroots venues, artists and promoters.

Jon Collins, chief executive, LIVE, said:

We are glad government has entrusted our sector to play our part in addressing the crisis in grassroots music. Driving forward an industry-led solution to the challenges currently being experienced by venues, artists, festivals and promoters remains our number one priority. Alongside government’s work to deliver an improved trading environment, we are accelerating our work on the development of the LIVE Trust and associated funding to help distribute money to the places it’s needed most.

Together with government, we will continue our work to help safeguard the future of grassroots music, and ensure our sector remains world-leading, brings joy to millions, and delivers economic growth in towns and cities across the UK. We will regularly update on our progress of the LIVE Trust.

The government’s response follows funding announced for the Creative Industries at the Autumn Budget, which DCMS has confirmed will include help to continue the Supporting Grassroots Music Fund.

The Fund, delivered by Arts Council England, enables grassroots music venues, recording studios, promoters and festivals to apply for grants of up to £40,000 to help them develop new revenue streams, make repairs and improvements, hire staff and enhance the experience of millions of gig-goers across the UK.

ENDS

Notes to editors:

• The full Government response to the Culture, Media and Sport Select Committee’s report on grassroots music venues can be found here.
• The Government intends to create a fairer business rates system that protects high streets, supports investment and is fit for the 21st century. It was announced at the Autumn Budget that business rates relief for retail, hospitality and leisure (RHL) properties, including grassroots music venues, will be extended for one year at 40% up to a cash cap of £110,000 per business.
• A Discussion Paper has been published, setting out priority areas for reform and inviting stakeholders to a conversation about transforming the business rates system.

The press release issued by the Department for Culture, Media and Sport on 13 November 2024.

The Secretary of State has reappointed Venki Ramakrishnan as Board Member for the British Library for a 4 year term from 15 June 2024 to 14 June 2028.

Venki Ramakrishnan

Appointed for a 4 year term commencing 15 June 2024 to 14 June 2028.

Venki is a scientist at the MRC Laboratory of Molecular Biology in Cambridge. He is best known for his work on how the ribosome, a large molecular complex, translates genetic information to synthesize the thousands of proteins required for life, and how this process is regulated. For his work, he shared the 2009 Nobel Prize in Chemistry. Venki was the President of the Royal Society from 2015-2020.

He is the author of two books: Why We Die: The New Science of Aging and the Quest for Immortality (2024), and Gene Machine (2018), a memoir about the race for the structure of the ribosome.

Remuneration and Governance Code

Trustees of the British Library are remunerated £9,130 per annum. This appointment has been made in accordance with the Cabinet Office’s Governance Code on Public Appointments. The appointments process is regulated by the Commissioner for Public Appointments. Under the Code, any significant political activity undertaken by an appointee in the last five years must be declared. This is defined as including holding office, public speaking, making a recordable donation, or candidature for election. Venki Ramakrishnan has not declared any significant political activity.

The press release issued by the Department of Culture, Media and Sport on 7 October 2024.

Phillipp Hildebrand, Dame Vivian Hunt, George Weston and Dame Sarah Worthington have been reappointed as Trustees of The British Museum.

Philip Hildebrand

Appointed for a four year term commencing 30 November 2023 to 29 July 2027.

Philipp Hildebrand is Vice Chairman of BlackRock, a member of the firm’s Global Executive Committee and also oversees the BlackRock Investment Institute.

He previously served as Chairman of the Governing Board of the Swiss National Bank. In that capacity, he was also a Director of the Bank for International Settlements (BIS), the Swiss Governor of the International Monetary Fund and a member of the Financial Stability Board (FSB).

Philipp is Chair of the Zurcher Kunstgesellschaft, a member of the Group of Thirty and an Honorary Fellow of Lincoln College, Oxford.

Dame Vivian Hunt

Appointed for a four year term commencing 24 July 2023 to 23 March 2027.

Dame Vivian Hunt is the Chief Innovation Officer at UnitedHealth Group. which is listed 5th in the Fortune 500. With over 400,000 employees and revenues of $370 billion, UHG is committed to improving healthcare for everyone.

Before joining UnitedHealth Group, Dame Vivian served as a Senior Partner for McKinsey & Company, UK and Ireland, where she provided strategic advice to leading firms in the private, public and third sectors.

Vivian is on the board of several influential business groups, charitable and education bodies including as Chair of Teach First and Chair of the Black Equity Organisation

George Weston

Appointed for a four year term commencing 24 July 2023 to 23 March 2027

George has been the CEO of Associated British Foods (ABF) since 2005. After completing an MBA at Harvard, George joined ABF as Managing Director of Westmill Foods Ltd and Director of Cereal Industries Ltd. Following this he became CEO of Allied Bakeries and CEO of George Weston Foods. George is a Trustee of the Garfield Weston Foundation, a family founded grant-maker that supports a wide range of charities across the UK.

Dame Sarah Worthington

Appointed for a four year term commencing 03 February 2024 to 03 February 2028.

Dame Sarah Worthington is a Professor of Law at the London School of Economics (LSE). She is a barrister and Bencher of Middle Temple, and Chair of the LSE Press. She was the Downing Professor Emeritus of the Laws of England at the University of Cambridge for 11 years, from 2011 to 2022.

Sarah has held various earlier governance roles, including Treasurer of the British Academy, member of the Board of Governors of the London Business School, and Pro Director of the LSE and member of its Council. She was previously a Council member of the Arts and Humanities Research Council (AHRC), a member of the Cambridge University Press Operating Board, and Chair of its Audit Committee.

Remuneration and Governance Code

Trustees of the British Museum are not remunerated. These appointments have been made in accordance with the Cabinet Office’s Governance Code on Public Appointments. The appointments process is regulated by the Commissioner for Public Appointments. Under the Code, any significant political activity undertaken by an appointee in the last five years must be declared. This is defined as including holding office, public speaking, making a recordable donation, or candidature for election. George has declared that he leafleted during the 2017 election for the Conservative Party. Dame Vivian, Dame Sarah and Philipp have made no such declarations.

The press release issued by the Department of Culture, Media and Sport on 4 October 2024.

The Secretary of State has reappointed John Mothersole as the England Committee Chair and Kate Still as the Scotland Committee Chair for a second term of two years commencing on 14 May 2024.

John Mothersole

John Mothersole has held senior local government posts in UK cities including London, most recently as Chief Executive of Sheffield City Council. Since standing down from that post in December 2019 after 11 years, John has taken on a series of non-executive roles which now include Chair of The Sheffield College, trustee of a community care charity and advisory roles with companies involved in regeneration and environment. He was also an assessor for the Grenfell Tower Public Inquiry, a role that concluded with the publication of the final report in September 2024. Prior to being selected as Chair of the National Lottery Community Fund England Committee John was a member of that committee.

John has been heavily involved in the policy agenda for UK cities through the Core Cities network, the Northern Powerhouse initiative and with Government in securing city and city region devolution deals and participating in trade missions.His early career was in the arts, primarily in London and the North-East, and he sees a highlight of that part of his career being the reopening of the Roundhouse in London which enabled its subsequent redevelopment.

Kate Still

Kate is currently conducting the Independent Review of Community Learning and Development across Scotland on behalf of the Scottish Government. She was a Board member of ERSA for many years, Chair of Employment Support Scotland and a Fellow of the Institute of Employability. Kate started her career as a teacher after completing an MA (Hons) in Politics at Glasgow University.

She has over 25 years of relevant experience in delivery of education, apprenticeships, skills, employability and community enterprise and regeneration programmes across multiple sectors, including 15+ years in the Charity sector. Kate has a passionate desire to make a difference coupled with the drive to achieve impact on issues of poverty, equality and diversity and social justice. Kate has held strategic leadership roles at EU and UK levels including Management of EU aid programmes to Central and Eastern Europe. A former Board Member of Strathclyde European Partnership, she completed her MPhil in European Policy research at Strathclyde University in 2011.Kate has held Director roles previously with the Prince’s Trust, Rathbone and Wise Group.

Remuneration and Governance Code

These positions are remunerated at £24,000 per annum. These appointments have been made in accordance with the Cabinet Office’s Governance Code on Public Appointments. The appointments process is regulated by the Commissioner for Public Appointments. Under the Code, any significant political activity undertaken by an appointee in the last five years must be declared. This is defined as including holding office, public speaking, making a recordable donation, or candidature for election. John Mothersole and Kate Still have not declared any significant political activity.

The press release issued by the Department for Culture, Media and Sport on 17 September 2024.

The Secretary of State has reappointed Loyd Grossman CBE from 01 September 2024 to 31 May 2025, while the process to appoint a new permanent Chair of The Royal Parks is run.

Loyd Grossman CBE

Loyd is a broadcaster, entrepreneur and writer who has a long association with the arts and heritage sectors. He is Chair elect of The Royal Society of Arts.

Loyd’s past appointments include as a board member of English Heritage, the Museums and Galleries Commission and the Royal Commission on the Historical Monuments of England. He has been Chairman of the Churches Conservation Trust, Chair of the Heritage Alliance, Chairman of National Museums Liverpool and Vice Chair of the Royal Drawing School. He was awarded a CBE in the Queen’s Birthday Honours List for services to heritage in 2015.

Remuneration and Governance Code

The Chair of The Royal Parks is not remunerated. This reappointment has been made in accordance with the Cabinet Office’s Governance Code on Public Appointments. The appointments process is regulated by the Commissioner for Public Appointments. Under the Code, any significant political activity undertaken by an appointee in the last five years must be declared. This is defined as including holding office, public speaking, making a recordable donation, or candidature for election. Loyd Grossman has not declared any significant political activity.