Tag: Press Release

The press release issued by the Department for Culture, Media and Sport on 27 November 2024.

A new ambition for the United Kingdom to welcome 50 million international visitors per year by 2030 has been announced by the government, as part of its plans for the country to remain one of the most visited worldwide, driving economic growth.

• In a major speech, the Tourism Minister, Sir Chris Bryant, commits to increasing visitor numbers and improving overall visitor experience
• A new Visitor Economy Advisory Council to boost collaboration between government and industry
• Tourism industry worth £74 billion to the economy and 4% of GVA with a huge potential for further growth to support government’s central mission

A new ambition for the United Kingdom to welcome 50 million international visitors per year by 2030 has been announced by the government, as part of its plans for the country to remain one of the most visited worldwide, driving economic growth.

In a keynote speech at the Tourism Alliance conference in London today (26 November), Tourism Minister Sir Chris Bryant set out the government’s plans for the tourism sector to be an integral part of its growth mission.

A new Visitor Economy Advisory Council, co-chaired by the Minister, will be established that will see industry and government work together to kickstart this next stage of growth for the sector. The council will work towards the creation of a National Visitor Economy Strategy, which will be launched next autumn and map out plans to support the growth of the tourism industry.

Growth in the tourism industry beyond London will be at the heart of this strategy. While the capital is a huge draw that brings in tens of millions of visitors each year, there is vast potential for increasing visits to other cities and regions, which can be achieved through improved marketing, reforming tourist boards, filling skills gaps in the visitor economy and better celebrating our culture.

The UK attracted 38 million visitors last year. Before the pandemic in 2019 that figure was 41 million.

Speaking at the Tourism Alliance Conference, Tourism Minister Sir Chris Bryant said:

I am passionate about making the UK a top visitor destination that truly rivals our European counterparts.

But we can only do that if we work together. We need a true partnership between the government and the sector to deliver such growth.

We all know that London is great – one of the best cities in the world. But too many visitors only go to London – in fact when asked by VisitBritain, 57 per cent of visitors could not imagine what there was in the UK outside of London.

We need to complement London and Edinburgh with stronger regional destinations – where people visit in their own right and stay and spend money because they know about the full range of attractions at those destinations – the heritage, the arts, the music, the pubs and restaurants.

Too many of my predecessors have seen tourism as a nice thing to have and not a priority. I don’t. I see it as an essential part of our economy, worth £74 billion and 4 per cent of GVA with a huge potential for growth.

We are good at this and can be even better if we work together. I want us to have a ‘holistic’ approach to tourism where we will be looking at every element from a visitor’s arrival at the airport to buying a ticket for a music gig or finding a restaurant or catching a train.

In addition to focusing on inbound and domestic tourism, the Visitor Economy Advisory Council will also look at outbound travel, including the rollout of the EU Entry Exit scheme and eGate access for Brits at European airports, to ensure all visitors have the best possible experience when travelling.

Improving the overall visitor experience will be central to the government’s plans for the tourism industry. Every element of someone’s visit – from their arrival at the airport, to buying a ticket for a gig and booking a hotel – will be considered. Making each individual element of the visitor experience as accessible and enjoyable as possible will encourage more tourists to visit the UK, foster national pride and provide long-term economic benefits for communities across the whole country.

Minister Bryant also updated on ongoing tourism programmes, including the Local Visitor Economy Partnership (LVEP) programme, which is transforming tourist boards across the country so they can work better together to market their areas to tourists, and attract more investment and major events to the UK. Thirty five LVEPs have been accredited so far.

The Minister also confirmed that the government will introduce a short-term lets registration scheme as soon as possible, to help provide the best tourist accommodation possible while protecting people’s right to affordable housing, with initial phases of testing already underway.

This follows the government securing a permanent business rates relief at 40% for many companies in the tourism sector.

The press release issued by the Department for Culture, Media and Sport on 27 November 2024.

A temporary export bar has been placed on Dame Barbara Hepworth’s Sculpture with Colour (Oval Form) Pale Blue and Red.

• The sculpture has been valued at almost £3.7 million
• Export bar is to allow time for a UK gallery or institution to acquire the sculpture

An export bar has been placed on celebrated British artist Dame Barbara Hepworth’s Sculpture with Colour (Oval Form) Pale Blue and Red.

Born in 1903 in Wakefield, West Yorkshire, Hepworth became one of the leading British artists of the 20th century, creating prominent sculptures for the 1951 Festival of Britain entitled ‘Contrapuntal Forms’, which are still on display in Harlow, Essex and her prestigious work ‘Single Form’, which stands in the plaza of the United Nations building in New York City.

Sculpture with Colour (Oval Form) Pale Blue and Red is a painted wood sculpture created in 1943. It is part of a larger series in Hepworth’s oeuvre, which she developed throughout the Second World War after she settled with her family in St. Ives, Cornwall.

The piece is a notable example of this series, which pioneered her stringed and coloured sculptures for the first time. Although this concept of colour and strings is understood to have been first conceived in London, Hepworth consistently associated these elements with the organic elements she observed in her rural surroundings in West Penrith.

This work also marks a pivotal moment in the artist’s development as a leading pioneer of the direct carving method and it is the only surviving oval carving after the first prototype of the series was broken when Hepworth cast it in bronze in 1961.

Arts Minister Sir Chris Bryant said:

Dame Barbara Hepworth was a phenomenal artistic genius, who will continue to inspire future generations with her unique genre defining sculptures, which remain as powerful and engaging now as during her lifetime.

Hepworth was influenced by her surroundings and this sculpture is a beautiful insight into her new life in St.Ives after the outbreak of the Second World War.

I hope a UK buyer can be found for this sculpture so the British public can continue to learn and engage with one our most important artists for generations to come.

Stuart Lochhead, RCEWA Committee Member said:

Having moved to Cornwall at the outbreak of the Second World War, Barbara Hepworth found herself in a profoundly different environment where, even with limited resources, she produced ground breaking sculpture.

Sculpture with Colour (Oval Form) Pale Blue and Red embodies the Cornish sky, sea and rugged coastline, in which she lived and which influenced her so deeply. One of only a handful of stringed and coloured sculptures she produced during this period, it marks a significant evolution in her practice, bridging her pre-and post-war artistic developments. As such, this beautiful and immensely informative work by one of Britain’s greatest artists must be saved for the nation.

The Committee made its recommendation on the basis that the sculpture met the first, second and third Waverley criteria for its outstanding connection with our history and national life, its outstanding aesthetic importance and its outstanding significance to the study of Dame Barbara Hepworth’s working practice and the evolution of her work.

The decision on the export licence application for the sculpture will be deferred for a period ending on 26 February 2025 inclusive. At the end of the first deferral period owners will have a consideration period of 15 Business Days to consider any offer(s) to purchase the sculpture at the recommended price of £3,652,180.63 (plus VAT of £129,800). The second deferral period will commence following the signing of an Option Agreement and will last for five months.

Notes to editors

1. Organisations or individuals interested in purchasing the sculpture should contact the RCEWA on 02072680534 or rcewa@artscouncil.org.uk.
2. Details of the sculpture are as follows: Sculpture with Colour (Oval Form) Pale Blue and Red, 1943. Painted wood and string, 50.2 cm. Signed, inscribed and dated ‘Barbara Hepworth/”Sculpture with colour/pale blue & red”/1943’ (on the underside of the base), painted wood and string, unique. This work is recorded as BH 119.
3. Provenance: Acquired directly from the artist by Helen Sutherland in March 1944. Acquired from the above by Nicolete Gray, London, in 1966, and by descent. Anonymous sale; Christie’s, London, 1 July 1998, lot 20, Anonymous sale; Christie’s, London, 6 June 2008, lot 164, where purchased by the previous owner. Anonymous sale; Christie’s, London, 20 March 2024, lot 12, where purchased by the present owner.
4. The Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest is an  independent body, serviced by Arts Council England (ACE), which advises the Secretary of State for Culture, Media and Sport on whether a cultural object, intended for export, is of national importance under specified criteria.

The press release issued by the Department for Culture, Media and Sport on 27 November 2024.

Creative technology firms and artists in Merseyside and the West Midlands are in line for a major financial boost, as a £13.5 million investment in training, research and development funding is announced by the Culture Secretary to boost economic growth and job opportunities.

• £13.5 million awarded to boost Merseyside’s thriving live music sector and help creative firms in the West Midlands revolutionise live performance with VR and immersive technology
• Clusters funding builds on UK’s regional strengths as part of government’s growth-driving mission for the creative industries
• Next phase of advanced ‘movie magic’ research labs launched, with £6.6 million of funding available for SMEs

Liverpool City Region’s MusicFutures cluster will benefit from £6.75 million to bring together partners including the city’s two universities, the Royal Liverpool Philharmonic and the Liverpool M&S Bank Arena. The cluster will provide funding and training for musicians, educators and small businesses to harness new technologies such as AI and Extended Reality (XR) and explore making the live music sector more environmentally sustainable.

CreaTech Frontiers in the West Midlands will also benefit from £6.75 million, with the investment focusing on developing small, micro- and medium-sized businesses specialising in creative tech like video games and immersive reality. Several regional universities alongside the Royal Shakespeare Company (RSC) will work with industry to boost skills and develop new products, technology and multi-platform content. This will include using VR, 3D-modelling and animation techniques in live events, and adapting video game engines for use in music, theatre and film.

Experimental performance projects curated by the RSC will be showcased at South by Southwest (SXSW) festival in Texas in 2026, while the Birmingham Opera Group and The Rep theatre will stage new works, including co-creations with young people in deprived areas of the West Midlands.

It comes as the CoSTAR network of R&D labs being built across the UK to drive the next generation of ‘movie magic’ visual effects tech in film, TV and performing arts enters its next phase, with £6.6 million now available to help innovating firms build prototypes and take their products to market.

Merseyside and the West Midlands have been selected in the government’s Creative Industries Clusters, delivered by the Arts and Humanities Research Council on behalf of UK Research and Innovation, which aims to grow specialist creative subsectors across the UK. The UK’s world-class creative industries have been named as one of the government’s eight growth-driving sectors in its forthcoming Industrial Strategy.

Culture Secretary Lisa Nandy said:

Talent is everywhere but opportunity is not. That’s why we are supporting firms, artists and freelancers that are innovating, using new technology and driving growth in creative clusters across the country.

Liverpool and Merseyside hold a special place in our nation’s music landscape, and this funding will support imagination and experimentation across the city and region, as creators explore how we can make gigs more environmentally friendly.

Birmingham and the West Midlands have a rich industrial history, and we are putting them at the forefront of a potential new industry developing the amazing technology that will revolutionise visual effects in film, theatre and gaming.”

AHRC Executive Chair Professor Christopher Smith said:

AHRC is delighted to announce the launch of a new wave of Creative Industries Clusters.

The two new clusters announced today, MusicFutures and CreaTech Frontiers, will create vital support for technology and innovation in the UK’s world-leading creative industries and expand our regional investment.

These clusters will support artists and creators so they can benefit from new technologies across a wide range of platforms, and develop their innovation and business skills.

The remarkable projects made possible through our Creative Industries Clusters span sustainable fashion, game design and extended reality, and have attracted major co-investment. They have helped solve real-world problems and they deliver commercial benefits to the UK economy in line with the Government’s Industrial Strategy.