Tag: 2024

The press release issued by the Department for Culture, Media and Sport on 19 June 2024.

A temporary export bar has been placed on a decorated table top once owned by King Louis XIV of France.

• The table top is valued at more than £7 million
• The export bar will allow time for a UK gallery or institution to acquire the table top for the nation

An export bar has been placed on a richly adorned table top once owned by Louis XIV, King of France.

The table top, valued at £7,500,000 (plus VAT of £300,000), is at risk of leaving the UK unless a domestic buyer can be found to save it for the nation.

The table top is made of 111 panels of masterfully worked glass, using a mixture of filigree, or coloured canes of glass fused together, and pictorial panels made using the lampwork and casting technique. The glass panels are framed by a structure of gilded metalwork.

The pictorial panels depict a scene from the mythological story of the Judgement of Paris, as well as classical gods and goddesses, alongside scenes of hunting, flora and fauna.

The table top was listed in the inventory of furniture belonging to Louis XIV and has been attributed to one the most prominent and inventive glassmakers in France in the second half of the 17th century, Bernard Perrot of Orléans.

The decision to place an export bar on the item follows the advice of the Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest. The committee made its recommendation on the basis that the table top met the second and third Waverley criteria for its outstanding aesthetic importance, and its outstanding significance to the study of the work of Bernard Perrot and other émigré glassmakers working in France in the 17th century.

It was also deemed to be of outstanding significance to the study of interiors in France, decorative art design, and the history of British industrialist collecting.

Committee Member Helen Jacobsen said:

Perrot’s stunning table top is unprecedented in the history of glass and of 17th-century decorative art. Its technical mastery and striking design have ensured its place as a masterpiece since it was first recorded in the collections of Louis XIV in 1681 and in its sophistication and artistic ambition the table is unsurpassed.

It is of enormous importance as a documentary milestone, both in Perrot’s career and in the technical development of 17th-century glass-making, and the opportunities for future research into materials and techniques, as well as design, interiors and collecting more generally, are enormous. The impact of the table top as an aesthetic object cannot be overstated and I really hope that it can find a home in a UK museum where it can be admired and enjoyed by the widest possible audience.

The decision on the export licence application for the table top will be deferred for a period ending on 18 October 2024 inclusive. At the end of the first deferral period owners will have a consideration period of 15 Business Days to consider any offer(s) to purchase the table top at the recommended price of £7,500,000 (plus VAT of £300,000 which can be reclaimed by an eligible institution). The second deferral period will commence following the signing of an Option Agreement and will last for six months.

The press release issued by the Department for Culture, Media and Sport on 19 June 2024.

A temporary export bar has been placed on a silk banner commemorating the Slavery Abolition Act 1833.

• The banner is valued at £45,000
• Export bar is to allow time for a UK gallery or institution to save the banner for the nation

An export bar has been placed on a silk banner commemorating the Slavery Abolition Act 1833.

The banner, valued at £45,000 (plus VAT of £9,000 which can be reclaimed by an eligible institution) is at risk of leaving the UK unless a domestic buyer can be found to acquire it for the nation.

The banner commemorates the abolition of slavery on 1 August 1834, following the passing of the Slavery Abolition Act by Earl Grey’s administration.

The marching banner, measured at 97 centimetres high and 89 centimetres wide, is made from dark blue silk lettered with gold, with a cotton backing. It retains the original wooden dowel hanger and has silk tassels.

Whilst there is no exact confirmation of when the banner was created, it is likely to have been made within a decade of 1834 and before the abolition of slavery in the USA in 1865 following the American Civil War (1861-1864).

The decision follows the advice of the Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest. The banner was found to meet the first and third Waverley criteria, on the grounds that its departure from the UK would be a misfortune because it was so closely connected with our history and national life and was of outstanding significance to the study of social justice and social and political history.

Committee member Caroline Shenton said:

“As this country continues to grapple with the legacies of the British Empire and the enslavement of millions across its colonies, artefacts which shed light on this history are powerful witnesses to the past. Commemorative objects related to the abolition of slavery in the Empire are not uncommon but this banner is unique, as far as we know.

“Thanks to the temporary stop placed on its export, there is now an opportunity for a public institution to acquire it for the nation. There is much to research about who created this fluttering piece of gold and navy textile, and why, and where; about how it was used and deployed; and about its place within decolonising narratives exposing the political, social and economic ambiguities of abolition. But as well as its potential for scholarly exploration, this banner could become a profound means of public engagement as Britain’s reckoning with its slave-owning past continues. I therefore very much hope that a suitable home for this striking banner is found within this country, and soon.”

The decision on the export licence application for the banner will be deferred for a period ending on 18 August 2024 (inclusive). At the end of the first deferral period, owners will have a consideration period of 15 Business Days to consider any offer(s) to purchase the banner at the recommended price of £45,000 (plus VAT of £9,000 which can be reclaimed by an eligible institution). The second deferral period will commence following the signing of an Option Agreement and will last for three months.

Notes to editors

1. Organisations or individuals interested in purchasing the banner should contact the RCEWA on 02072680534 or rcewa@artscouncil.org.uk .
2. Details of the object are as follows: a marching banner commemorating the abolition of slavery on  August 1st, 1834, and citing the statute for an Act for the Abolition of Slavery throughout the British colonies. The banner, 97 cm high and 89 cm wide, is made from dark blue silk and cotton lettered in gold. It retains the original wooden dowel hanger and has silk tassels. The maker is unknown. The date on the object confers a terminus post quem of 1834 and was probably made within a decade of that but certainly before the abolition of slavery in the USA in 1865 following the Civil War (1861-1864).  The banner is in good condition with some slight wear on the tassels.
3. Provenance: London Private Collection.
4. The Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest is an independent body, serviced by Arts Council England (ACE), which advises the Secretary of State for Culture, Media and Sport on whether a cultural object, intended for export, is of national importance under specified criteria.

The press release issued by the Department of Culture, Media and Sport on 19 June 2024.

A temporary export bar has been placed on the 19th century volumes of ‘A history of the birds of Europe’ by H. E. Dresser.

• Volumes valued at nearly £130,000
• Export bar is to allow time for a UK gallery or institution to acquire the work

An export bar has been placed on the 19th century volumes of ‘A history of the birds of Europe’ by H. E. Dresser.

The books have a recommended price of £127,000 and are at risk of leaving the UK unless a domestic buyer can be found to acquire them for the nation.

Henry Eeles Dresser (1838-1915) is considered to be one of the most influential ornithologists of the late 19th century. His work was cited by the likes of John Gould in his The Birds of Great Britain, and he published major articles on the subject of ornithology that helped progress the study of the behaviour of birds as a science.

Dresser used many leading bird illustrators to create the lithographic plates for the imagery that would accompany his text within these volumes. This particular set was Dresser’s private and unique copy which he had specially printed. They include the original colour proofs painted by the artists, which were used to produce all other published copies of the volumes.

The decision follows the advice of the Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest. The Committee made its recommendation on the basis that the volumes met the third Waverley criterion for their outstanding significance to the study of book publishing and printing technique, as well as ornithological representation, illustration, and annotation. They were also found to be of outstanding significance to the study of Dresser’s own collection.

Committee member Mark Hallett said:

This remarkable private edition of H. E. Dresser’s celebrated ‘A History of the Birds of Europe’ offers a rich research resource for all those interested in the history of ornithology and in the visual representation of birdlife in nineteenth-century Britain. Published for the author, and featuring numerous written annotations by Dresser himself, this series of seventeen volumes is further distinguished by the hundreds of original, hand-coloured plates that illustrate his text, produced by some of the leading wildlife artists of the day.

If saved for the UK, this unique version of ‘A History of the Birds of Europe’ would not only serve as a scholarly treasure-trove in its own right; it would also provide the perfect complement to the major Dresser archive of ornithological specimens held at the Manchester Museum.

The decision on the export licence application for the volumes will be deferred for a period ending on 18 September 2024 (inclusive). At the end of the first deferral period owners will have a consideration period of 15 Business Days to consider any offer(s) to purchase the volumes at the recommended price of £127,000. The second deferral period will commence following the signing of an Option Agreement and will last for three months.

Notes to editors

1. Organisations or individuals interested in purchasing the volumes should contact the RCEWA on 0845 300 6200.
2. Details of the volumes are as follows: 17 volumes comprising 9 volumes of text (including index and supplement) and 8 volumes of plates. Large quarto size (320 x 250 mm). Author’s own unique copy with signed bookplate.
3. Provenance: Private collection of the author of the volumes, Henry Eeles Dresser (1838–1915) of which they were his own copy. They hold his bookplate and his signature, to index volume.
4. The Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest is an independent body, serviced by the Arts Council (ACE), which advises the Secretary of State for Culture, Media and Sport on whether a cultural object, intended for export, is of national importance under specified criteria.